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There are some rare variations of keyboards with more or fewer than 12 keys per octave, mostly used in microtonal music, after the discoveries and theoretical developments of musician and inventor Julián Carrillo (1875–1965). Some free-reed instrument keyboards such as accordions and Indian harmoniums include microtones.
The word "manual" is used instead of the word "keyboard" when referring to any hand-operated keyboard on a keyboard instrument that has a pedalboard (a keyboard on which notes are played with the feet), such as an organ; or when referring to one of the keyboards on an instrument that has more than one hand-operated keyboard, such as a two- or ...
Keyboard action describes the mechanism and feel of the keyboard. Keyboards can be roughly divided into non-weighted and weighted. Non-weighted keyboards have a light, springy feel to their keys, similar to the action of an organ. The least expensive keyboards, often with non-full size keys, use keys that are mounted on soft rubber pads that ...
This has now become the Lumatone Keyboard. [3] Hex is a free software MIDI sequencer, which uses a generalized keyboard in place of the standard piano keyboard. Lanes are extended from the keys and MIDI notes can be drawn into each lane, and edited, with the mouse (as in a standard MIDI sequencer like Logic, Reaper, SONAR, etc.).
The C, F and G pedals had colored bands across their tips corresponding to the chords. The idea was that a rank beginner could create music simply by following the very simple music books that featured lettered noteheads and color-coded chords. "Matching the colors" was sufficient to play full-sounding four-voice chords.
96-button Stradella bass layout on an accordion. C is in the middle of the root note row. The Stradella Bass System (sometimes called [1] standard bass) is a buttonboard layout equipped on the bass side of many accordions, which uses columns of buttons arranged in a circle of fifths; this places the principal major chords of a key (I, IV and V) in three adjacent columns.
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The Virtuoso Pianist (Le Pianiste virtuose) by Charles-Louis Hanon (1819 – 1900), is a compilation of sixty exercises meant to train the pianist in speed, precision, agility, and strength of all of the fingers and flexibility in the wrists.