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Mythos [from Ancient Greek μῦθος mûthos] is the term used by Aristotle in his Poetics (c. 335 BCE) to mean an Athenian tragedy's plot as a "representation of an action" [1] or "the arrangement of the incidents" [2] that "represents the action". [3]
Aristotle believed that all of these different elements had to be present in order for the poetry to be well-done. Possible criticisms of an epic or tragedy, and the answers to them. Tragedy as artistically superior to epic poetry: Tragedy has everything that the epic has, even the epic meter being admissible.
Aristotle taught that tragedy is composed of six elements: plot-structure, character, style, thought, spectacle, and lyric poetry. [157] The characters in a tragedy are merely a means of driving the story; and the plot, not the characters, is the chief focus of tragedy.
Aristotle considers length or time in a distinction between the epic and tragedy: Well then, epic poetry followed in the wake of tragedy up to the point of being a (1) good-sized (2) imitation (3) in verse (4) of people who are to be taken seriously; but in its having its verse unmixed with any other and being narrative in character, there they ...
This variant of tragedy is especially popular in the modern age due to its characters being more relatable to mass audiences and is the most common form of tragedy adapted into modern day television programs, books, films, theatrical plays, etc. Newly dealt with themes that sprang forth from the Domestic tragedy movement include: wrongful ...
Aristotle writes in the Poetics that, in the beginning, tragedy was an improvisation "by those who led off the dithyramb", [8] which was a hymn in honor of Dionysus. This was brief and burlesque in tone because it contained elements of the satyr play .
Oedipus, a figure commonly considered a tragic hero. A tragic hero (or tragic heroine if they are female) is the protagonist of a tragedy.In his Poetics, Aristotle records the descriptions of the tragic hero to the playwright and strictly defines the place that the tragic hero must play and the kind of man he must be.
For instance, Aristotle stated that Tragedy is an imitation, "not of persons but of action and life, of happiness and misery." [5] An aspect Aristotle had developed was his theory of catharsis, an aspect that Plato has rejected. [5] Catharsis, or in other words, purging of the emotions "through pity and fear," is accomplished by tragedy. [5]