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Repin began working on the painting in Moscow. [1] A first overall sketch, with the character of the Tsar turned to his right, dates from 1882. The idea of the painting, according to Repin, is linked to his confrontation with the themes of violence, revenge and blood during the political events of 1881; additional sources of inspiration were the music of Nikolai Rimsky-Korsakov and the ...
The painting shows the last minutes of boyarin Feodorov, who was arrested for treason. To mock his alleged ambitions on the tsar's title, the nobleman was given tsar's regalia before his execution. Casualty figures vary greatly from different sources. The First Pskov Chronicle estimates the number of victims at 60,000.
This painting, depicting the tsar, his face full of horror, just after he has killed his son with his sceptre in a demented rage. It caused a scandal. It caused a scandal. Some critics saw it as a veiled criticism of Tsar Alexander III , who had brutally suppressed the opposition after a failed assassination attempt.
Ivan Ivanovich was killed by his father in a fit of rage, [5] with the argument ending after the elder Ivan fatally struck his son in the head with his pointed staff. [6] Yelena also suffered a miscarriage within hours of the incident. [4] The event is depicted in the famous painting by Ilya Repin, Ivan the Terrible and His Son Ivan.
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".This photographic reproduction is therefore also considered to be in the public domain in the United States.
According to Tolstoy, the action of drama takes place in 1584, the year of Ioann's death. Yet, Ivan's murdering his son, the abdication, the siege of Pskov, the fire in Aleksandrovskaya sloboda all relate to the second half of 1581. Tolstoy was improvising a lot when it came to motives and undercurrents, occasionally creating links between ...
When Ivan began his sweeps of the surrounding churches, about two to four weeks later, his men set out to finish the job they started before the tsar's arrival. 'Every day he mounted and moved to another monastery, where he indulged his savagery.' His men took money, ransacked cells, tore down bells, destroyed equipment, and slaughtered cattle.
Eisenstein contemplated several endings for Part III: while the published screenplay ends with the tsar walking triumphantly toward the sea, one ending had the aged tsar contemplating the future of Russia, a second had the tsar dying alone and regretful after his murder of his son, and a third would have had the tsar seeing a prophetic vision ...