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Occasionally, cue cards are incorporated into music videos as an artistic element themselves, as, for example, by Bob Dylan in his 1965 song "Subterranean Homesick Blues", by the Australian band INXS in their 1987 song "Mediate", [10] by "Weird Al" Yankovic in his 2003 song "Bob" or by the German band Wir sind Helden in their 2005 song "Nur ein Wort []" (Just one word).
Chris "Wally" Feresten [1] [2] (born 1965 or 1966) [1] is an American cue card handler and supervisor known for his work on Saturday Night Live. He also does cue cards for Late Night with Seth Meyers and his private business, Cue Cards by Wally.
Pythagorean Method of Memorization (PYMOM), also known as Triangular Movement Cycle (TMC), is a game-based, educational methodology or associative-learning technique that primarily uses corresponding information, such as terms and definitions on opposing sides, displayed on cue cards, to exploit psychological retention of information for academic study and language acquisition.
Keira Knightley admitted in a new interview with the Los Angeles Times that she told “Love Actually” director Richard Curtis while filming the infamous cue card scene with Andrew Lincoln that ...
On Friday, Nov. 29, the actress revealed she recently came face-to-face with a group of construction workers holding up cue cards – just like her costar Andrew Lincoln did in Love Actually.
The three locations for the "cue card" clip as seen in Dont Look Back The clip was originally a segment of D. A. Pennebaker's film Dont Look Back. In addition to its influence on music, the song was used in one of the first "modern" promotional film clips, the forerunner of what was later known as the music video.
Both the video and the song pay homage to the promotional film clip for Bob Dylan's "Subterranean Homesick Blues", as the members flip cue cards with words from the song on them, followed by Kirk Pengilly with a Soprano saxophone solo. Beneath the lyric "a special date" in the "Mediate" portion of the video, the cue card shown reads "9-8-1945".
The music video references the recording of Dylan's song, "Subterranean Homesick Blues" in the 1967 D. A. Pennebaker documentary Dont Look Back. [3] The video for "Bob" is similarly shot in black-and-white, and in the same back-alley setting, with Yankovic dressing as Dylan and dropping cue cards that have the song's lyrics on them, as Dylan did in the film.