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Musical acoustics or music acoustics is a multidisciplinary field that combines knowledge from physics, [1] [2] [3] psychophysics, [4] organology [5] (classification of the instruments), physiology, [6] music theory, [7] ethnomusicology, [8] signal processing and instrument building, [9] among other disciplines.
The examples include ground vibrations produced by elephants whose principal frequency component is around 15 Hz, and low- to medium-frequency substrate-borne vibrations used by most insect orders. [15] Many animal sounds, however, do fall within the frequency range detectable by a human ear, between 20 and 20,000 Hz. [16]
Presumably these higher-pitched songs allow male birds to be heard above anthropogenic noise, which tends to have high energy in the lower frequency range thereby masking sounds in that spectra. A follow-up study of multiple populations confirmed that great tits in urban areas sing with an increased minimum frequency relative to forest-dwelling ...
A gamma wave or gamma rhythm is a pattern of neural oscillation in humans with a frequency between 30 and 100 Hz, the 40 Hz point being of particular interest. [1] Gamma rhythms are correlated with large-scale brain network activity and cognitive phenomena such as working memory , attention , and perceptual grouping , and can be increased in ...
Psychoacoustics is the branch of psychophysics involving the scientific study of the perception of sound by the human auditory system.It is the branch of science studying the psychological responses associated with sound including noise, speech, and music.
Output of a computer model of underwater acoustic propagation in a simplified ocean environment. A seafloor map produced by multibeam sonar. Underwater acoustics (also known as hydroacoustics) is the study of the propagation of sound in water and the interaction of the mechanical waves that constitute sound with the water, its contents and its boundaries.
Amplitude modulation, frequency modulation, difference tones, harmonic fusion, residue pitch, Shepard-tone phenomena, and other psychoacoustic concepts are applied to music materials. [ 21 ] Formal concepts important in spectral music include process and the stretching of time.
It can be proven (with the help of a sum-to-product trigonometric identity) that the sum of two unit-amplitude sine waves can be expressed as a carrier wave of frequency f 1 + f 2 / 2 whose amplitude is modulated by an envelope wave of frequency f 1 - f 2 / 2 : [3]