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Definitive Technicolor movies using three black-and-white films running through a special camera (3-strip Technicolor or Process 4) started in the early 1930s and continued through to the mid-1950s, when the 3-strip camera was replaced by a standard camera loaded with single-strip "monopack" color negative film. Technicolor Laboratories were ...
Technicolor plants were opened in France and Italy in 1955, the French laboratory closing in 1958. Technicolor Process 5 described movies filmed using Eastmancolor monopack negative film, with negative processing and dye-transfer printing by Technicolor; these films were usually credited Color by Technicolor.
This is a list of color film processes known to have been created for photographing and exhibiting motion pictures in color since the first attempts were made in the late 1890s. It is limited to "natural color" processes, meaning processes in which the color is photographically recorded and reproduced rather than artificially added by hand ...
Excerpt from the surviving fragment of With Our King and Queen Through India (1912), the first feature-length film in natural colour, filmed in Kinemacolor. This is a list of early feature-length colour films (including primarily black-and-white films that have one or more color sequences) made up to about 1936, when the Technicolor three-strip process firmly established itself as the major ...
It was the first commercially released film to be produced in the full-color three-strip Technicolor process [3] after several years of two-color Technicolor films. The film was a commercial and critical success, winning the first Academy Award for Best Cartoon Short Subject .
The film was produced by Max Fleischer, directed by Dave Fleischer, co-directed by Dawn Fleischer, and was animated by Fleischer veterans Seymour Kneitel and Roland Crandall. [2] The cartoon, set during the contemporary Great Depression , follows two impoverished children who dream that they are in Dreamland where there is an area full of candy ...
Unlike the first two films, Aladdin and His Wonderful Lamp is more Disney-esque in plot and pacing, and does not make use of the Fleischer Tabletop 3D background process. According to the film's press release, its making involved two hundred colors and twenty-eight thousand individual, full-color drawings; the press release also mentions 3D ...
Films from 1903 to 1935 that were photographed at least partially in color, including early uses of Technicolor for example. This does not include black and white films that were tinted, hand-painted or colorized .