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The film or miniseries must be concerned with World War II (or the War of Ethiopia and the Sino-Japanese War) and include events which feature as a part of the war effort. For short films, see the List of World War II short films. For documentaries, see the List of World War II documentary films and the List of Allied propaganda films of World ...
(1945) – action war film loosely based on the six-month raid by Merrill's Marauders in the Burma Campaign during the Second World War [190] Pride of the Marines (1945) – biographical war film telling the story of U.S. Marine Al Schmid in World War II , his heroic stand against a Japanese attack during the Battle of Guadalcanal , in which he ...
Wochenschau announcer Harry Giese at the microphone, 1941. Die Deutsche Wochenschau (German for 'The German Weekly Review', lit. ' The German Weekly Look ' or ' The German Weekly Show ') is the title of the unified newsreel series released in the cinemas of Nazi Germany from June 1940 until the end of World War II, with the final edition issued on 22 March 1945. [1]
Apocalypse: The Second World War (French: Apocalypse, la 2 e Guerre mondiale) (2009) is a six-part French documentary by Daniel Costelle and Isabelle Clarke about the Second World War. The music of the documentary was composed by Kenji Kawai .
The film or miniseries must be concerned with World War II (or the Sino-Japanese War) and include events that feature as a part of the war effort. For short films, see the List of World War II short films. For documentaries, see the List of World War II documentary films and the List of Allied propaganda films of World War II.
The USA entered the Second World War in December 1941 and the entertainment industry was used to shape opinion and foster support. The main focus that the US wanted to make on films was their own historical phenomena and a spread of US culture. [4] The war films made focused mostly on the "desperate affirmation" and the "societal tensions". [4]
The documentary film is notable for using multiple first-person perspectives as narrative voices, somewhat in the manner of Tunisian Victory (1944). However, in The True Glory, instead of just an American G.I. and a British Tommy, the voices include a Canadian, a French resister, a Parisian civilian family, an African-American tank gunner, and several female perspectives including a nurse and ...
Night Train to Munich is a 1940 British thriller film directed by Carol Reed and starring Margaret Lockwood and Rex Harrison.Written by Sidney Gilliat and Frank Launder, based on the 1939 short story Report on a Fugitive by Gordon Wellesley, the film is about an inventor and his daughter who are kidnapped by the Gestapo after the Nazis march into Prague in the prelude to the Second World War.