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In the past, I've tried to make a distinction in my own use of the term between autobiographical fiction, autobiographical metafiction, and autofiction, arguing that in autofiction there tends to be an emphasis on the narrator's or protagonist's or authorial alter ego's status as a writer or artist and that the book's creation is inscribed in ...
Such terms are not absolute but can refer, depending on context, to any of several phenomena. Some Algonquian languages and Salishan languages divide the category of third person into two parts: proximate for a more topical third person, and obviative for a less topical third person. [5] The obviative is sometimes called the fourth person.
A third-person pronoun is a pronoun that refers to an entity other than the speaker or listener. [1] Some languages, such as Slavic, with gender-specific pronouns have them as part of a grammatical gender system, a system of agreement where most or all nouns have a value for this grammatical category.
For example, Tok Pisin has seven first-person pronouns according to number (singular, dual, trial, plural) and clusivity, such as mitripela ("they two and I") and yumitripela ("you two and I"). [4] Some languages do not have third-person personal pronouns, instead using demonstratives (e.g. Macedonian) [5] or full noun phrases.
Third Persona is "the 'it' that is not present, that is objectified in a way that 'you' and 'I' are not." [1] Third Persona, as a theory, seeks to define and critique the rules of rhetoric, to further consider how we talk about what we talk about—the discourse of discourse—and who is affected by that discourse. [2]
A man, and sometimes a male animal, is referred to using he. In other cases, it can be used. (See Gender in English.) The word it can also be used as a dummy subject, concerning abstract ideas like time, weather, etc., or a dummy object of a verb or preposition. The third-person form they is used with both plural and singular referents.
For example, in the sentence "the quick brown fox jumps over the lazy dog", there are two third-person referents, the fox and the dog. Thus, one of them has to be proximate and the other one has to be obviative, depending on which one the speaker considers more central to the story.
Free indirect discourse can be described as a "technique of presenting a character's voice partly mediated by the voice of the author". In the words of the French narrative theorist Gérard Genette, "the narrator takes on the speech of the character, or, if one prefers, the character speaks through the voice of the narrator, and the two instances then are merged". [1]