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Kahiko-Lua-Mea (better known simply as Kahiko) is a god in Hawaiian mythology, who was once a chief on the Earth and lived in Olalowaia. He is mentioned in the chant Kumulipo and in the Chant of Kūaliʻi. Kahiko is also mentioned in The Legend of Waia. [1] The legend is that there was a head figure that had the ability to speak.
Hula kahiko performance at the pa hula in Hawaii Volcanoes National Park. Hula kahiko, often defined as those hula composed prior to 1894 which do not include modern instrumentation (such as guitar, ʻukulele, etc.), encompasses an enormous variety of styles and moods, from the solemn and sacred to the frivolous.
E tuai tuai, ta te maʻona ai. It is very long coming, but will be satisfying. Of an oven of food long in preparation, but satisfying. Applied generally to expected but delayed good. ʻO le mama ma le ponoi. A mouthful and a blow; or of a canoe both leaky and with the waves coming in. Applied to one over-burdened with different tasks.
Jayda Lum Lung will dance a traditional hula in honor of Lahaina wildfire victims at Hawaii’s biggest hula competition of the year. Her hand movements will flow gracefully to symbolize the winds ...
ne plus ultra: nothing more beyond: Also nec plus ultra or non plus ultra. A descriptive phrase meaning the most extreme point, or the best form, of something. Most notably the Pillars of Hercules were in the geographic sense the nec plus ultra of the ancient Mediterranean world, before the discovery of the Americas.
" Si Antes Te Hubiera Conocido" (Spanish pronunciation: [si ˌantes te uˌbjeɾa konoˈsido], transl. "If I Had Met You Before" ) is a song by Colombian singer Karol G . It was released on June 21, 2024, through Bichota Records and Interscope as the lead single from her upcoming fifth studio album.
First notes sung by soprano and (first) alto of Lassus' Tristis est anima mea, No. 1 in Drexel 4302 Extract of Gesualdo's setting of Tristis est anima mea (1611) Motets and other musical settings based on the responsory: A motet by Orlande de Lassus, for instance included as No. 1 in the Drexel 4302 manuscript
The beat is always called ta. In simple meters, the division and subdivision are always ta-di and ta-ka-di-mi. Any note value can be the beat, depending on the time signature. In compound meters (wherein the beat is generally notated with dotted notes), the division and subdivision are always ta-ki-da and ta-va-ki-di-da-ma.