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"Locomotive Breath" was released on Jethro Tull's 1971 album Aqualung in 1971. An edit of the song was released in the US as a single in 1971, backed with "Wind-Up", though it did not chart. A 1976 single release of the song, backed with "Fat Man", was more successful, reaching number 59 on the Billboard charts [8] and number 85 in Canada. [9]
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The song was written by the band's frontman, Ian Anderson, and his then-wife Jennie Franks. While this track was never a single, its self-titled album Aqualung was Jethro Tull's first American Top 10 album, reaching number seven in June 1971. [4] After "Locomotive Breath", it is the song most often played in concert by Jethro Tull. [5]
The songs were written and recorded by Tyler from 2007 through 2009, and released on December 25, 2009. [3] Tyler produced most of the album using FL Studio. [5] In 2019, he recalled that some of his influences for the album were Eminem's Relapse (2009), James Pants' Seven Seals (2009), Nite Jewel's Good Evening (2009), Grizzly Bear's Veckatimest (2009), Clipse's Hell Hath No Fury (2006), and ...
The song is titled "Ghetto Bastard" on uncensored versions of the eponymous album. While not as successful as their previous single, " O.P.P. ", "Everything's Gonna Be Alright" managed to make it to 53 on the Billboard Hot 100 and 9 on the Hot Rap Singles .
A train song is a song referencing passenger or freight railroads, often using a syncopated beat resembling the sound of train wheels over train tracks.Trains have been a theme in both traditional and popular music since the first half of the 19th century and over the years have appeared in nearly all musical genres, including folk, blues, country, rock, jazz, world, classical and avant-garde.
Swift starts the song with the chorus that immediately makes her distaste for the subject of the song clear. “‘Cause, baby, now we got bad blood/ You know it used to be mad love/ So take a ...
Louder magazine praised the song for "providing the light relief" on the album, amongst songs like "Locomotive Breath" and the title track. [8] Anderson made a similar point in an interview, noting the combination of the "amusing surreal moments" of acoustic songs like "Mother Goose" and "Up to Me" balanced with the album's more "dramatic ...