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Call: "Shave and a Haircut", Response: "Two bits". Play ⓘ. In music, call and response is a compositional technique, often a succession of two distinct phrases that works like a conversation in music. One musician offers a phrase, and a second player answers with a direct commentary or response.
Call and response is a form of interaction between a speaker and an audience in which the speaker's statements ("calls") are punctuated by responses from the listeners. [1] This form is also used in music, where it falls under the general category of antiphony .
Coro-pregón (or coro-guía, coro-inspiración) in Afro-Cuban music and other Afro-Latin Latin music (mainly from the Puerto Rico), most of all salsa, but also in some non-Cuban genres like merengue and bachata, refers to a call and response section between the lead singer and the coro (chorus).
The term Grand ballabile is used if nearly all participants (including principal characters) of a particular scene in a full-length work perform a large-scale dance. bar, or measure unit of music containing a number of beats as indicated by a time signature; also the vertical bar enclosing it barbaro
"Shave and a Haircut" and the associated response "two bits" is a seven-note musical call-and-response couplet, riff or fanfare popularly used at the end of a musical performance, usually for comedic effect.
Call and Response: The Riverside Anthology of the African American Literary Tradition, a literature anthology; Call and Response, a novel by T. R. Pearson; In music: Call and response (music), a type of musical phrasing or structure "Call-response" or Coro-pregón, a genre of music; Call and Response: The Remix Album (2008), an album by Maroon ...
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In the kabuki theatre, the term is used to refer to melodramatic calls from an audience, or as part of call-and-response singing in Japanese folk music. It is a custom for people in the audience to insert kakegoe every so often, in praise of the actors on stage.