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The tradition of call and response fosters dialogue and its legacy continues today, as it is an important component of oral traditions. Both African-American women work songs, African American work songs, and the work song, in general, use the call-and-response format often.
B. Lee Cooper and Wayne S. Haney, Response Recordings: An Answer Song Discography, 1950-1990, Scarecrow Press, 1990, ISBN 978-0810823426 (A comprehensive alphabetized list of over 2500 hit tunes that prompted the production of answer songs or other forms of response recordings) Answer Songs, Spotify playlist of some of the answer songs on this page
A military cadence or cadence call is a call-and-response work song sung by military personnel while running or marching. They are counterparts of the military march . Military cadences often take their rhythms from the work being done, much like the sea shanty .
Its refrain, particularly the call and response, is part of the language of American jazz. At the Cab Calloway School of the Arts, which is named for the singer, students perform "Minnie the Moocher" as a traditional part of talent showcases. In 1967, the song was covered again by an Australian band, The Cherokees.
The song is a call and response duet between two people: a host and a guest, usually performed by male and female singers respectively. Every line in the song features a statement from the guest followed by a response from the host.
This call-and-response performance style is the most common form of spiritual. [ 13 ] The simple, repetitive nature of the song, along with the fact that it was commonly performed without instrumental accompaniment, meant that spontaneous shifts in tempo, pitch, and emphasis were commonly made, leading the song in new and exciting directions ...
From a live performance by rapper Lil Jon to Bruce Springsteen’s “Born in the U.S.A.,” Democratic delegates got their groove on during Tuesday’s ceremonial roll call at the party’s ...
The best-known version was released by American singer Harry Belafonte in 1956 (originally titled "Banana Boat (Day-O)") and later became one of his signature songs. That same year the Tarriers released an alternative version that incorporated the chorus of another Jamaican call and response folk song, "Hill and Gully Rider