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Call and response is common in modern Western popular music. Cross-over rhythm and blues, rock 'n' roll and rock music exhibit call-and-response characteristics, as well. The Who's song "My Generation" is an example: [21] "My Generation" vocal melody with response. [21] Play ⓘ
Coro-pregón (or coro-guía, coro-inspiración) in Afro-Cuban music and other Afro-Latin Latin music (mainly from the Puerto Rico), most of all salsa, but also in some non-Cuban genres like merengue and bachata, refers to a call and response section between the lead singer and the coro (chorus).
It can be considered a form of call and response. First referred to as "the old way of singing" in 18th-century Britain, it has influenced 20th-century popular-music singing styles. [1] In 1644, the Westminster Assembly outlined its usage in English churches "for the present, where many in the congregation cannot read". [1]
Call and response is a form of interaction between a speaker and an audience in which the speaker's statements ("calls") are punctuated by responses from the listeners. [1] This form is also used in music, where it falls under the general category of antiphony .
A military cadence or cadence call is a call-and-response work song sung by military personnel while running or marching. They are counterparts of the military march . Military cadences often take their rhythms from the work being done, much like the sea shanty .
The trumpet figure is one clave in length, while the trombone figure is two claves. This is a classic example of how moñas are layered. The trombone Moña consists of two parts, a call-and-response structure. The trumpet moña begins on the last note of first half of the trombone moña.
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Go-go is a subgenre of funk music with an emphasis on specific rhythmic patterns, and live audience call and response.. Go-go was originated by African-American musicians in Washington, D.C., during the mid-1960s to late-1970s.