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The quality the codec can achieve is heavily based on the compression format the codec uses. A codec is not a format, and there may be multiple codecs that implement the same compression specification – for example, MPEG-1 codecs typically do not achieve quality/size ratio comparable to codecs that implement the more modern H.264 specification.
The resolution 192×144 is used when 144p is selected on a fullscreen YouTube video. [citation needed] YouTube 144p 144p 256×144 36,864 16:9 One tenth of 1440p. The lowest resolution on YouTube since 2013. [10] QnHD 180p 320×180 57,600 16:9 222p 222p 400×222 88,800 16:9 Used in low-resolution Facebook widescreen videos. [citation needed]
Below is a list of broadcast video formats. 24p is a progressive scan format and is now widely adopted by those planning on transferring a video signal to film. Film and video makers use 24p even if they are not going to transfer their productions to film, simply because of the on-screen "look" of the (low) frame rate, which matches native film.
In a subjective quality comparison conducted in 2014 featuring the reference encoders for HEVC (HM 15.0), MPEG-4 AVC/H.264 (JM 18.6), and VP9 (libvpx 1.2.0 with preliminary VP9 support), VP9, like H.264, required about two times the bitrate to reach video quality comparable to HEVC, while with synthetic imagery VP9 was close to HEVC. [36]
Some are combinations of common container formats and audio and video coding profiles, such as AVCHD and DivX formats. Although sometimes compared to DivX products, Xvid is neither a container format nor a video format, it is a software library that encodes video using specific coding profiles of the common MPEG-4 ASP video format. Those types ...
The Theora video-compression format is compatible with the VP3 video-compression format, which consisted of a backward-compatible superset. [ 12 ] [ 13 ] Theora is a superset of VP3, and VP3 streams (with some minor syntactic modifications) can be converted into Theora streams without recompression (but not vice versa). [ 13 ]
A video coding format [a] (or sometimes video compression format) is a content representation format of digital video content, such as in a data file or bitstream. It typically uses a standardized video compression algorithm, most commonly based on discrete cosine transform (DCT) coding and motion compensation .
Linear pulse-code modulation (LPCM, generally only described as PCM) is the format for uncompressed audio in media files and it is also the standard for CD-DA; note that in computers, LPCM is usually stored in container formats such as WAV, AIFF, or AU, or as raw audio format, although not technically necessary.