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Limited just like description, [4] such an authorial model does not exist beyond the textual frames and is composed of relations resulting from senses imposed on space. Those, in turn, may suggest non-spatial meanings (e.g. up is better, down is worse as in the case of a social hierarchy of H.G. Wells' The Time Machine and the Morlocks and the ...
In the literary artistic chronotope, spatial and temporal indicators are fused into one carefully thought-out, concrete whole. Time, as it were, thickens, takes on flesh, becomes artistically visible; likewise, space becomes charged and responsive to the movements of time, plot and history.
Others preferred to think of the fourth dimension in spatial terms, and some associated the new mathematics with wider changes in modern culture. In science fiction, a higher "dimension" often refers to parallel or alternate universes or other imagined planes of existence. This usage is derived from the idea that to travel to parallel/alternate ...
Spatial perception is defined as the ability to perceive spatial relationships in respect to the orientation of one's body despite distracting information. [3] It consists of being able to perceive and visually understand outside spatial information such as features, properties, measurement, shapes, position and motion. [6]
Thus, the degree of applicability is defined which specifies from 0 till 100% how strongly a spatial relation holds. Often researchers concentrate on defining the applicability function for various spatial relations. In spatial databases and geospatial topology the spatial relations are used for spatial analysis and constraint specifications.
Cultural geographers, anthropologists, sociologists and urban planners study why certain places hold special meaning to particular people or animals. [12] Places said to have a strong "sense of place" have a strong identity that is deeply felt by inhabitants and visitors. [13] [14] Sense of place is a social phenomenon. [15]
In the field of literary theory, geocriticism is an interdisciplinary method of literary analysis that focuses not only on such temporal data as relations between the life and times of the author (as in biographical criticism), the history of the text (as in textual criticism), or the story (as studied by narratology), but also on spatial data.
The question whether the use of language influences spatial cognition is closely related to theories of linguistic relativity—also known as the Sapir-Whorf hypothesis—which states that the structure of a language affects cognitive processes of the speaker. Debates about this topic are mainly focused on the extent to which language ...