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Scheherazade, also commonly Sheherazade (Russian: Шехеразада, romanized: Shekherazada, IPA: [ʂɨxʲɪrɐˈzadə]), Op. 35, is a symphonic suite composed by Nikolai Rimsky-Korsakov in 1888 and based on One Thousand and One Nights (also known as The Arabian Nights). [1]
The Moscow premiere followed that of St. Petersburg three years later in 1885. It was presented by the Russian Private Opera (the Opera of Savva Mamontov in Moscow), conducted by Enrico Bevignani with scenic Design by Viktor Vasnetsov, Isaak Levitan, and Konstantin Korovin; Tsar Berendey – Grigoriy Erchov, Bermyata – Anton Bedlevitch, Spring Beauty – Vera Gnucheva, Grandfather Frost ...
The following night Scheherazade finished the story and then began a second, more exciting tale, which she again stopped halfway through at dawn. Again, the king spared her life for one more day so that she could finish the second story. Thus the king kept Scheherazade alive day by day, as he eagerly anticipated the conclusion of each previous ...
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Rimsky-Korsakov, a midshipman in the Imperial Russian Navy, secretly yearns to be a composer, but naval regulations prevent him from doing so. He uses a stopover in Tangiers to work on his next composition, Scheherazade (which is actually a symphonic suite but in the film is a ballet), with the tacit support of his captain. There he meets Cara ...
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The exoticism of the Arabian Nights continued to interest Ravel. In the early years of the 20th century he met the poet Tristan Klingsor, [6] who had recently published a collection of free-verse poems under the title Shéhérazade, inspired by Rimsky-Korsakov's symphonic suite of the same name, a work that Ravel also much admired. [7]
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