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White often represents purity or innocence in Western culture, [2] particularly as white clothing or objects, can be stained easily. In most Western countries white is the color worn by brides at weddings. Angels are typically depicted as clothed in white robes. In many Hollywood Westerns, bad cowboys wear black hats while the good ones wear white.
Color symbolism in art, literature, and anthropology is the use of color as a symbol in various cultures and in storytelling. There is great diversity in the use of colors and their associations between cultures [ 1 ] and even within the same culture in different time periods. [ 2 ]
White on television and computer screens is created by a mixture of red, blue, and green light. The color white can be given with white pigments, especially titanium dioxide. [3] In ancient Egypt and ancient Rome, priestesses wore white as a symbol of purity, and Romans wore white togas as symbols of citizenship. In the Middle Ages and ...
In Medieval literature, which developed an intricate system of images and symbols for alchemy, the dove often represented this stage, while the raven symbolized nigredo. [5] Titus Burckhardt interprets the albedo as the end of the lesser work, corresponding to a spiritualization of the body. Claiming the goal of this portion of the process is ...
The development of black, white, yellow, and red can also be found in the Physika kai Mystika of Pseudo-Democritus, which is often considered to be one of the oldest books on alchemy. [4] After the 15th century, many writers tended to compress citrinitas into rubedo and consider only three stages. [ 5 ]
Christ at Rest, by Hans Holbein the Younger, 1519, a chiaroscuro drawing using pen, ink, and brush, washes, white heightening, on ochre prepared paper. The term chiaroscuro originated during the Renaissance as drawing on coloured paper, where the artist worked from the paper's base tone toward light using white gouache, and toward dark using ink, bodycolour or watercolour.
Port with the disembarkation of Cleopatra in Tarsus (1642), by Claude Lorrain, Musée du Louvre, Paris. Light in painting fulfills several objectives like, both plastic and aesthetic: on the one hand, it is a fundamental factor in the technical representation of the work, since its presence determines the vision of the projected image, as it affects certain values such as color, texture and ...
The Nightmare (1781), by Johann Heinrich Füssli, Detroit Institute of Arts, Detroit. Symbolism, understood as a means of expression of the "symbol", that is, of a type of content, whether written, sonorous or plastic, whose purpose is to transcend matter to signify a superior order of intangible elements, has always existed in art as a human manifestation, one of whose qualities has always ...