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M*A*S*H (an acronym for Mobile Army Surgical Hospital) is an American media franchise consisting of a series of novels, a film, several television series, plays, and other properties, and based on the semi-autobiographical fiction of Richard Hooker.
M*A*S*H (an acronym for Mobile Army Surgical Hospital) is an American war comedy drama television series that aired on CBS from September 17, 1972, to February 28, 1983. It was developed by Larry Gelbart as the first original spin-off series adapted from the 1970 feature film M*A*S*H, which, in turn, was based on Richard Hooker's 1968 novel MASH: A Novel About Three Army Doctors.
M*A*S*H television series cast members c. 1974. Back row: Larry Linville, Wayne Rogers, and Gary Burghoff. Front row: Loretta Swit, Alan Alda, and McLean Stevenson This is a list of characters from the M*A*S*H franchise created by Richard Hooker, covering the various fictional characters appearing in the novel MASH: A Novel About Three Army Doctors (1968) and its sequels M*A*S*H Goes to Maine ...
Alan Alda (left), Wayne Rogers (right), McLean Stevenson (in back) and Loretta Swit (in front) from the first season of M*A*S*H. M*A*S*H is an American television series developed by Larry Gelbart and adapted from the 1970 feature film MASH (which was itself based on the 1968 novel MASH: A Novel About Three Army Doctors by Richard Hooker). [1]
The plot device of Radar O'Reilly planting a microphone in Margaret's tent and embarrassing her and Frank by broadcasting them over the camp PA system originally appeared in the original MASH film. Some original M*A*S*H production personnel consider this to be the worst episode of the series, centering as it does on Hawkeye and Trapper trying ...
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The episode was broadcast in black and white and was the final episode for series developer Larry Gelbart. Loretta Swit does not appear. Recently, a full-color version of this episode has appeared on Hulu.
"Suicide Is Painless" (also known as "Theme from M*A*S*H" or "Song from M*A*S*H") is a song written by Johnny Mandel (music) and Michael Altman for the 1970 film M*A*S*H. In addition to being performed by characters in the film, it plays during the title sequence as sung by The Ron Hicklin Singers .