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Guido and Maurizio De Angelis, also known as Oliver Onions, [2] are a prolific duo of Italian musicians, multi-instrumentalists, composers and singers, as well as television and film producers.
Boom Crash Opera were formed in late 1984 in Melbourne with a line up of Peter Farnan (ex-Urtle Urtle Urtle, Serious Young Insects) on guitar, keyboards and backing vocals; Peter 'Maz' Maslen (ex-One Hand Clapping) on drums, percussion and backing vocals; Greg O'Connor; Richard Pleasance (ex-Government Drum, Bang, One Hand Clapping) on bass guitar, guitar and backing vocals; and Dale Ryder on ...
"Onion Skin" is a song by Australian band Boom Crash Opera. The song was released in June 1989 as the lead single from their second studio album, These Here Are Crazy Times ! (1989), and reached number 11 on the Australian ARIA Singles Chart .
Carson included the song on a demo tape he gave to Chips Moman, owner of American Sound Studio in Memphis, Tennessee. When studio associate Dan Penn was looking for an opportunity to produce more, Moman suggested a local group, the DeVilles, who had a new lead singer, sixteen-year-old Alex Chilton . [ 4 ]
The song was a tribute to Tahrir Square, addressing and personifying it as another living and breathing member of the opposition, and its video clip documented the latest protests in an indirect way as the camera was apparently filming inside a protester's house and it roamed over clothes riddled with bullet holes, medical white coats, onions ...
"Rubber Biscuit" started life as Charles Johnson's answer to the marching rhythms of the Warwick School for Delinquent Teenagers while he was an intern there. Label credit for writing and composing the song was given to Chips lead singer Charles Johnson. The songwriting credit was expanded in the 1970s to include all of the Chips. [2]
"The Onion Song" was a hit for soul singers Marvin Gaye and Tammi Terrell in 1969. [2] It reached the top ten overseas, where it became Gaye & Terrell's biggest hit in the United Kingdom , entering the singles chart on 15 November 1969 and peaking at No.9 on 9 December. [ 2 ] "
The music video, directed by Nima Nourizadeh, features the band members in what appears to be a heavily special effects-laden production, effects which are rarely seen in the video, instead having the band members performing in a stylized green screen stage, with several bored-looking assistants in green bodysuits holding props (at one point, in an attempt to recreate a bicycle ride, moving ...