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The Palace at Knossos was organized around an open central court, labeled (1) in this map. The palace at Knossos was continuously renovated and modified throughout its existence. The currently visible palace is an accumulation of features from various periods, alongside modern reconstructions which are often inaccurate.
Knossos and the Herakleion Museum: Brief Illustrated Archaeological Guide. Athens: Hannibal Publishing House. {}: |first2= has generic name ; Driessen, Jan (1990). An early destruction in the Mycenaean palace at Knossos: a new interpretation of the excavation field-notes of the south-east area of the west wing. Acta archaeologica Lovaniensia ...
Like the other palaces, the Palace at Knossos was organized around an open central court, labeled (1) in this map. The defining feature of a Minoan palace is its arrangement of multistory wings around a rectangular central court. Beyond that, the palaces shared a further common architectural vocabulary of room types, ornamentation styles, and ...
The Throne Room was a chamber built for ceremonial purposes during the 15th century BC inside the palatial complex of Knossos, Crete, in Greece.It is found at the heart of the Bronze Age palace of Knossos, one of the main centers of the Minoan civilization and is considered the oldest throne room in Europe.
The small ruin of Knossos spanned 5 acres (2.0 ha) and the palace had a maze-like quality that reminded Evans of the labyrinth described in Greek mythology. [45] In the myth, the labyrinth had been built by King Minos to hide the Minotaur, a half-man half-bull creature that was the offspring of Minos's wife, Pasiphae, and a bull. Evans dubbed ...
The Palace of Knossos, the largest Minoan palace. Knossos – the largest [33] Bronze Age archaeological site on Crete. Knossos had an estimated population of 1,300 to 2,000 in 2500 BC, 18,000 in 2000 BC, 20,000 to 100,000 in 1600 BC and 30,000 in 1360 BC. [34] [35]
Each palace had at least one lustral basin, with Phaistos having four of them. [3] [4] [5] At Knossos, one is adjacent to the throne room, while another is located near the north entrance. [7] Although they are commonly associated with palaces, lustral basins were common in other elite buildings.
Arthur Evans, who excavated the Minoan palace of Knossos in Crete early in the 20th century, suggested that the ruins there inspired the story of the labyrinth, and since the double axe motif appears in the palace ruins, he asserted that labyrinth could be understood to mean "the house of the double axe". [13]