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The suffix after the G indicates the pin spread; the G dates to the use of Glass for the original bulbs. GU usually also indicates that the lamp provides a mechanism for physical support by the luminaire: in some cases, each pin has a short section of larger diameter at the end (sometimes described as a "peg" rather than a "pin" [2]); the socket allows the bulb to lock into place by twisting ...
[7] [8] In Islamic culture, the patterns are believed to be the bridge to the spiritual realm, the instrument to purify the mind and the soul. [9] David Wade [ b ] states that "Much of the art of Islam, whether in architecture, ceramics, textiles or books, is the art of decoration – which is to say, of transformation."
Latticework may be functional – for example, to allow airflow to or through an area; structural, as a truss in a lattice girder; [2] used to add privacy, as through a lattice screen; purely decorative; or some combination of these. Latticework in stone or wood from the classical period is also called Roman lattice or transenna (plural transenne).
A Penrose tiling with rhombi exhibiting fivefold symmetry. A Penrose tiling is an example of an aperiodic tiling.Here, a tiling is a covering of the plane by non-overlapping polygons or other shapes, and a tiling is aperiodic if it does not contain arbitrarily large periodic regions or patches.
A glass building facade. Glass is an amorphous (non-crystalline) solid.Because it is often transparent and chemically inert, glass has found widespread practical, technological, and decorative use in window panes, tableware, and optics.
Macor is a white, odorless, porcelain-like glass ceramic material and was developed originally to minimize heat transfer during crewed spaceflight by Corning Inc. [18] StellaShine, launched in 2016 by Nippon Electric Glass Co., is a heat-resistant, glass-ceramic material with a thermal shock resistance of up to 800 degrees Celsius. [19]
[8] [1] Although following strict rules and using only a limited set of individual forms, the technique allows for the creation of highly complex and diverse compositions. [ 8 ] [ 14 ] The interplay of light and shadow across individual cells in a vast, geometric arrangement is what gives muqarnas its aesthetic visual effect. [ 1 ]
Doors were often surmounted by decorative fanlights in which the panes of glass might be supported by lead, but wood was also commonly used as the support for the glass in fanlights. Casement windows and fixed windows continued to employ leadlight, often with larger panes of rectangular rather than diamond shape.
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