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To achieve these goals, Boehm adapted a system of axle-mounted keys with a series of "open rings" (called brille, German for "eyeglasses", as they resembled the type of eyeglass frames common during the 19th century) that were fitted around other tone holes, such that the closure of one tone hole by a finger would also close a key placed over a ...
The Boehm system for the clarinet is a system of clarinet keywork, developed between 1839 and 1843 by Hyacinthe Klosé and Auguste Buffet jeune.The name is somewhat deceptive; the system was inspired by Theobald Boehm's system for the flute, but necessarily differs from it, since the clarinet overblows at the twelfth rather than the flute's octave.
The most distinctive model from this period was the Vito Model 35, with a key system based on the Leblanc "system" design. During the mid-to-late 1960s Leblanc started sourcing saxophone parts from Yamaha for the Vito-Kenosha line, producing saxophones with both American and Japanese parts.
A tone hole is an opening in the body of a wind instrument which, when alternately closed and opened, changes the pitch of the sound produced. Tone holes may serve specific purposes, such as a trill hole or register hole. A tone hole is, "in wind instruments[,] a hole that may be stopped by the finger, or a key, to change the pitch of the tone ...
The invention of the alto clarinet has been attributed to Iwan Müller and to Heinrich Grenser, [2] and to both working together. [3] Müller was performing on an alto clarinet in F by 1809, one with sixteen keys at a time when soprano clarinets generally had no more than 10–12 keys; Müller's revolutionary thirteen-key soprano clarinet was developed soon after. [3]
The register key is like the key on German clarinets, with the corresponding tone hole on the left side. There is a ring on the upper joint tone hole for the C. This can be found on some Boehm clarinets, but is not common. [4] There is a G ♯ key for the right index finger. [5] There is an improved low E/F key. [6]
Big Band musician Jimmy Dorsey used a clarinet outfitted with the Albert system. Albert system clarinets are still used, mainly in Belarusian, Russian, Ukrainian, Greek and Turkish folk music as well as Klezmer and Dixieland styles. Many musicians prefer the Albert system because its unkeyed tone holes make slurred notes easier to play.
The Silva-Bet, which debuted in 1925, is generally acknowledged to have been the first successful metal clarinet. [1] [2] Shortly after the appearance of the Silva-Bet, other woodwind makers entered the metal clarinet market, including Selmer Paris in 1927 [3] with their Master Model as well as American companies Buescher with their True Tone model and H. N. White with the Silver King.