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Vito is a brand name for Leblanc USA, now part of Conn-Selmer USA. The Vito name was used for student through professional (Yanagisawa baritone saxophone) instruments. Leblanc USA was formed in 1946 by Vito Pascucci, and the French woodwind manufacturer, G. Leblanc Cie of France. To meet high demand, Leblanc USA started to manufacture clarinets ...
Cuban composer, conductor, flute and clarinet player. Born May 21, 1905 and died May 12, 1972 Cuba United States of America: 1905-05-21 1972-05-12 Jovellanos: New York City: Q30588320: Fletcher Allen: American jazz saxophonist, clarinetist, and composer (1905–1995) United States of America: 1905-07-25 1995-08-05 La Crosse: New York City ...
This article lists notable musicians who have played the clarinet This is a dynamic list and may never be able to satisfy particular standards for completeness. You can help by adding missing items with reliable sources .
STL is a file format native to the stereolithography CAD software created by 3D Systems. [3] [4] [5] Chuck Hull, the inventor of stereolithography and 3D Systems’ founder, reports that the file extension is an abbreviation for stereolithography, [6] although it is also referred to as standard triangle language or standard tessellation language.
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Leblanc added the KHS company of Taiwan as a source for Vito saxophones in 1981. The KHS versions were sold as models 7133, 7136, 7140, and 7190. The Vito line of woodwinds was discontinued in 2004, although the equivalent models of saxophones continued to be made by Yamaha and KHS (Jupiter). The Vito line of brasswinds was discontinued in 2007.
A tone hole is an opening in the body of a wind instrument which, when alternately closed and opened, changes the pitch of the sound produced. Tone holes may serve specific purposes, such as a trill hole or register hole. A tone hole is, "in wind instruments[,] a hole that may be stopped by the finger, or a key, to change the pitch of the tone ...
The invention of the alto clarinet has been attributed to Iwan Müller and to Heinrich Grenser, [2] and to both working together. [3] Müller was performing on an alto clarinet in F by 1809, one with sixteen keys at a time when soprano clarinets generally had no more than 10–12 keys; Müller's revolutionary thirteen-key soprano clarinet was developed soon after. [3]