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This bracing is known by many names such as herringbone strutting, blocking, bridging, and dwanging. Cross bracing on a bridge tower. In construction, cross bracing is a system utilized to reinforce building structures in which diagonal supports intersect. Cross bracing is usually seen with two diagonal supports placed in an X-shaped manner.
As cross-bracing cannot normally be added, vertical stiffeners on the girders are normally used to prevent buckling (technically described as 'U-frame behaviour' [5]). This form of bridge is most often used on railroads as the construction depth (distance between the underside of the vehicle, and the underside of the bridge) is much less.
This includes the girders themselves, diaphragms or cross-braces, and (if applicable) the truss or arch system. In a girder bridge this would include only the girders and the bracing system. The girders are the primary load support, while the bracing system both allows the girders to act together as a unit, and prevents the beams from toppling.
Blocking placed as attachment points for cabinets, while doubling as bracing against compression of the studs. Blocking ( dwang , nog, noggin, and nogging) is the use of short pieces of dimensional lumber in wood framed construction to brace longer members or to provide grounds for fixings.
Bracing it with an extra diagonal bar would be heavy. A wire would be much lighter but would stop it collapsing only one way. To hold it rigid, two cross-bracing wires are needed. This method of cross-bracing can be seen clearly on early biplanes, where the wings and interplane struts form a rectangle which is cross-braced by wires.
A double floor is a floor framed with joists supported by larger timbers.. In traditional timber framing there may be a single set of joists which carry both a floor and ceiling called a single floor (single joist floor, single framed floor) or two sets of joists, one carrying the floor and another carrying the ceiling called a double floor (double framed floor).
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This is the standard bracing pattern on the classical guitar, dating to the work of Antonio Torres Jurado in the 19th century. Although the originator of this bracing style has not been reliably established, the earliest known use is by Spanish luthier Francisco Sanguino in the mid to late 18th century.