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Finches and Bamboo (11th century) by Emperor Huizong of Song by Puxian, a Beile of the Qing dynasty. Gongbi (simplified Chinese: 工笔; traditional Chinese: 工筆; pinyin: gōng bǐ; Wade–Giles: kung-pi) is a careful realist technique in Chinese painting, the opposite of the interpretive and freely expressive xieyi (寫意 'sketching thoughts') style.
Freehand brush work is a genre of Chinese traditional painting which includes poem, calligraphy, painting and seal. In Chinese called Hsieh yi (traditional Chinese: 寫意; simplified Chinese: 写意; pinyin: Xiěyì), which literally means "writing ideas". [1] It was formed in a long period of artistic activities and promoted by the literati.
Chinese painting and calligraphy distinguish themselves from other cultures' arts by emphasis on motion and change with dynamic life. [4] The practice is traditionally first learned by rote, in which the master shows the "right way" to draw items.
In Chinese painting, brush painting was one of the "four arts" expected to be learnt by China's class of scholar-officials. [4] Ink wash painting appeared during the Tang dynasty (618–907), and its early development is credited to Wang Wei (active in the 8th century) and Zhang Zao, among others. [3]
From the annotations of the text of the painting, on the 11th month of 1329, the painting entered the collection of Jayaatu Khan Tugh Temür (Emperor Wenzong of Yuan), whose ownership of the painting was seen as a reminder of his duties to his subjects, as according to Cahill, the painting evokes the hardships of the everyman. [4] [7]
Invented in China around 300 B.C.E, the bamboo brush was originally intended solely for traditional calligraphy and ink painting styles. When grouped together with the inkstone, inkstick, and xuan ...