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The practice of adding color to black-and-white, sepia, or other monochrome film or still images, either as a special effect, to "modernize" films made in the pre-color era, or to restore or remaster dated color films; or any process by which this effect is achieved. Modern colorization is usually achieved with digital image processing software.
Texas is a 1941 American western film directed by George Marshall and starring William Holden, Glenn Ford and Claire Trevor. Texas was an early picture for both Holden (his seventh credited performance) and Ford (his ninth). [ 1 ]
The Texas Film Round-Up, also known as the Texas Moving Image Archive Program, is a partnership between TAMI and the Office of the Governor’s Texas Film Commission. [9] Via the Round-Up, TAMI provides free digitization for Texas-related films and videos in exchange for the donation of a digital copy of the material to the TAMI Video Library. [10]
In any case, our list of early Texas movie stars in last week's Think Texas column numbered a mere 15. This week, I could not squeeze in all the stars who broke into the industry after 1960.
The Best Little Whorehouse in Texas (film) Beyond the Farthest Star (film) Beyond the Mat; Beyond the Time Barrier; Big Bad John (film) The Big Brawl; The Big Green; Blood Fest; Blood Simple; Bloodsuckers from Outer Space; Boggy Creek; Bomb City; Bonnie and Clyde (film) The Border (1982 film) Bottle Rocket; Boys Don't Cry (1999 film) Brüno ...
A large number of movies have been filmed in Dallas, Texas, although not all of these are necessarily set in Dallas; for example RoboCop was filmed in Dallas but set in Detroit, Michigan. [1] Conversely, many films set in Dallas were filmed elsewhere, including Dallas Buyers Club , which was filmed in New Orleans.
You might be surprised by how many popular movie quotes you're remembering just a bit wrong. 'The Wizard of Oz' Though most people say 'Looks like we're not in Kansas anymore,' or 'Toto, I don't think
Along comes a glossy documentary movie, "The Stones Are Speaking," which plays the Austin Film Festival on Oct. 26 and Oct. 30. It makes the case more convincingly than mere printed words can convey.