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  2. Harmonic minor scale - Wikipedia

    en.wikipedia.org/wiki/Harmonic_minor_scale

    The harmonic minor scale (or Aeolian ♮7 scale) is a musical scale derived from the natural minor scale, with the minor seventh degree raised by one semitone to a major seventh, [2] [3] [4] creating an augmented second between the sixth and seventh degrees.

  3. List of musical scales and modes - Wikipedia

    en.wikipedia.org/wiki/List_of_musical_scales_and...

    List of musical scales and modes Name Image Sound Degrees Intervals Integer notation # of pitch classes Lower tetrachord Upper tetrachord Use of key signature usual or unusual ; 15 equal temperament

  4. Minor scale - Wikipedia

    en.wikipedia.org/wiki/Minor_scale

    Within the diatonic modes of the major scale, in addition to the Aeolian mode (which is the natural minor scale), the Dorian mode and the Phrygian mode also fall under this definition. Conversely, the Locrian mode has a minor third, but a diminished fifth (thus containing a diminished triad ), and is therefore not commonly referred to as a ...

  5. Pitch axis theory - Wikipedia

    en.wikipedia.org/wiki/Pitch_axis_theory

    [citation needed] The bass and guitar play the root (B) while the keyboardist implies the chords in the progression: B5, Bm7, Bm6, G/B, A/B. Ignoring the root, the scales used for each of these four chords would be B Aeolian (natural minor), B Dorian, C♯ Mixolydian, and E Aeolian, respectively.

  6. Chord-scale system - Wikipedia

    en.wikipedia.org/wiki/Chord-scale_system

    In contrast, in the chord-scale system, a different scale is used for each chord in the progression (for example mixolydian scales on A, E, and D for chords A 7, E 7, and D 7, respectively). [5] Improvisation approaches may be mixed, such as using "the blues approach" for a section of a progression and using the chord-scale system for the rest. [6]

  7. Half-diminished seventh chord - Wikipedia

    en.wikipedia.org/wiki/Half-diminished_seventh_chord

    the second mode of the harmonic minor scale. Jazz pianist Barry Harris explained that bebop musicians would play a descending dominant seventh scale with an added half-step to keep all the chord tones on the beat. For example, for the chords "Dm7 ♭ 5 G7 ♭ 9, play down the B♭7 scale from its seventh to B" (B being the added half-step ...

  8. Jazz scale - Wikipedia

    en.wikipedia.org/wiki/Jazz_scale

    The harmonic minor scale is also of value to many improvisors, as it provides an alternative color for many common chords and chord progressions. The A harmonic minor scale can be used on the chords of a piece in A minor, especially on the minor ii–V–i chord progression. One of the most common uses of the harmonic minor scale is its fifth ...

  9. Regular tuning - Wikipedia

    en.wikipedia.org/wiki/Regular_tuning

    Major and minor chords are played on 2 successive frets; others (seconds, fourths, sevenths, and ninths) on 3. [14] Smaller range (without 7 strings) Only three open-notes. Minor-sixth tuning Ralph Patt: All fourths: Perfect fourth (5) Non-repetitive [37] Uses chords from lowest 4 strings of standard tuning. Same tuning as bass guitar ...