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"The Stars and Stripes Forever" follows the standard U.S. military march form—of repeated phrasing of different melodies performed in sections called strains: a Sousa legacy. Performances vary according to the arrangements of individual band directors or orchestrators, especially regarding tempo and the number and sequence of strains employed.
"The Stars and Stripes Forever" is considered Sousa's most famous composition. [3] A British journalist named Sousa "The March King", in comparison to "The Waltz King" — Johann Strauss II. [4] However, not all of Sousa's marches had the same level of public appeal. [2] Some of his early marches are lesser known and rarely performed. [2]
His marches are typically marked by a "subdued" trio—as in "The Stars and Stripes Forever", where most of the performing band becomes subordinated to arguably the most famous piccolo obligato in all of music. [citation needed] Sousa's magnum opus, "The Stars and Stripes Forever" was adopted in 1987 as the national march of the United States. [1]
Sousa's birthplace on G St., S.E. in Washington, D.C. John Philip Sousa was born in Washington, D.C., the third of 10 children of João António de Sousa (John Anthony Sousa) (September 22, 1824 – April 27, 1892), who was born in Spain to Portuguese parents, and his wife Maria Elisabeth Trinkhaus (May 20, 1826 – August 25, 1908), who was German and from Bavaria.
Typically, the march is played at a tempo of 110 to 120 beats per minute, rarely any faster. March enthusiasts have argued that the trio sections' mellow and moving phrases are among Sousa's most musical. Six sudden eighth notes move the melody along. Its unusually calm break strain is a simple adaptation of the trio melody.
Sousa's marches are typically marked by a subdued trio, as in "The Stars and Stripes Forever" in which the rest of the band becomes subordinated to arguably the most famous piccolo solo in all of music. Typically, an American march consists of a key change (usually the addition of a flat), often happening for the duration the Trio.
Leroy Anderson wrote a popular arrangement of the piece incorporating other popular marches, including the National Emblem march by Edwin Eugene Bagley, the Swedish march “Under blågul fana" ("Under the Blue and Yellow Flag") by Viktor Widqvist, the Second Regiment Connecticut National Guard march by D. W. Reeves, and Stars and Stripes Forever and The Washington Post March by John Philip ...
One piece that was never normally played was John Philip Sousa's "Stars and Stripes Forever". Instead, it was used in emergencies, such as animals getting loose, to help signify to workers that something was wrong. [8] Barnum and Bailey circus band, 1910. Frederick A. Jewell conducting