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Symphony No. 40 in G minor, ... The second movement is a lyrical work in 6 8 time. It is in the subdominant key of the relative major of G minor (B ...
While sonata form is often used for the first movements of symphonies, many composers have also used it for the slow movements as well: an example of a slow movement in sonata form is the second movement of Mozart's Symphony No. 40.
Symphony No. 40 (1st version): Score and critical report (in German) in the Neue Mozart-Ausgabe Symphony No. 40 (2nd version): Score and critical report (in German) in the Neue Mozart-Ausgabe; 551 551 Symphony No. 41 "Jupiter" C major: 26:38 1788 Vienna Symphony No. 41: Score and critical report (in German) in the Neue Mozart-Ausgabe
Symphony No. 40 (Michael Haydn), F major symphony, MH 507, Perger 32, by Michael Haydn, composed in 1789 Symphony No. 40 (Mozart) , G minor symphony by Wolfgang Amadeus Mozart, composed in 1788 Topics referred to by the same term
Prokofiev modeled the symphony's structure on Ludwig van Beethoven's last piano sonata : a tempestuous minor-key first movement followed by a set of variations. The first movement, in traditional sonata form, is rhythmically unrelenting, harmonically dissonant, and texturally thick. The second movement, twice as long as the first, comprises a ...
The slow movement has a siciliano character and meter which was rare in Mozart's earlier symphonies (only used in one of the slow movements of the "Paris") but would appear frequently in later works such as No. 38 and No. 40. [3] The next symphony by Mozart is Symphony No. 38. The work known as "Symphony No. 37" is mostly by Michael Haydn. [4]
The Symphony No. 40 in F major, Hoboken I/40, is a symphony by Joseph Haydn. Despite its number, Haydn had composed this symphony by 1763, long before the other symphonies numbered in the 30s and 40s in Hoboken's catalog. [1] Chronologically, the symphony belongs with no. 13 and has stylistic similarities with Haydn's earliest symphonic output.
The first movement begins quietly in its melancholy minor key, recalling Haydn's Sturm und Drang period of the 1770s, but it soon shifts to the major. [3] The second movement, in F ♯ major, is an alternative scoring of the second movement of Haydn's Symphony No. 102 in F major. It is not clear which came first.