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The Calling of St Matthew (1599-1600) The Martyrdom of Saint Matthew (1599-1600) El Greco. Christ Driving the Money Changers from the Temple; View of Toledo (1599-1600) Karel van Mander - The Continence of Scipio; Domenico Passignano - Bathers at San Niccolò; Robert Peake - The Procession Picture
Allegory of Peace, Art and Abundance; Amor Vincit Omnia (Caravaggio) Annunciation (El Greco, Illescas) Annunciation (El Greco, Prado, 1600) The Apparition of the Virgin to Saint Hyacinth; Assumption of the Virgin (Annibale Carracci, Rome)
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Johannes Vermeer, The Milkmaid (1658–1661). Dutch Golden Age painting is the painting of the Dutch Golden Age, a period in Dutch history roughly spanning the 17th century, [1] during and after the later part of the Eighty Years' War (1568–1648) for Dutch independence.
The Calling of Saint Matthew (1599–1600), by Caravaggio. Contarelli Chapel, San Luigi dei Francesi, Rome.The beam of light, which enters the picture from the direction of a real window, expresses in the blink of an eye the conversion of St Matthew, the hinge on which his destiny will turn, with no flying angels, parting clouds or other artifacts.
Ambrosius Bosschaert the Elder (18 January 1573 – 1621) was a Flemish-born Dutch still life painter and art dealer. [1] He is recognised as one of the earliest painters who created floral still lifes as an independent genre. [2]
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Claude Lorrain (French: [klod lɔ.ʁɛ̃]; born Claude Gellée, called le Lorrain in French; traditionally just Claude in English; c. 1600 – 23 November 1682) was a French painter, draughtsman and etcher of the Baroque era.