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The AllMusic review by Al Campbell awarded the album 4 stars, stating: "Recorded in early 1960, Them Dirty Blues contains two classic jazz compositions." [2] The Penguin Guide to Jazz awarded the album 3⅓ stars, noting: "Them Dirty Blues debuts Nat's 'Work Song' in the band's book, as well as Bobby Timmons's 'Dat Dere'."
The Penguin Guide to Jazz awarded the album 4 stars, stating: "At the Lighthouse, which marked Vic Feldman's arrival in the group, is a near-classic, opening on the immortal version of 'Sack O' Woe' and steaming through a vintage Adderley set in front of a cheering and fingersnapping crowd".
In the Land of Hi-Fi with Julian Cannonball Adderley: EmArcy 1956 1957-02-06, -08, -11 Sophisticated Swing: EmArcy 1957 1957-02-07, -08, -11 1957-03-06 Cannonball Enroute: Mercury: 1961 1958-03-04, -06 Cannonball's Sharpshooters: Mercury 1958 1958-03-09 Somethin' Else – with Miles Davis: Blue Note: 1958 1958-07-01 Portrait of Cannonball ...
The Incredible Jazz Guitar; Movin' Along; Oliver Nelson: Taking Care of Business; David Newman & James Clay: The Sound of the Wide Open Spaces!!!! Art Pepper: Gettin' Together; Max Roach: We Insist! Charlie Rouse: Takin' Care of Business; George Russell. George Russell Sextet at the Five Spot; Jazz in the Space Age; Stratusphunk
Jazz Workshop Revisited is a live album by the jazz saxophonist Cannonball Adderley released on the Riverside label. Alongside Adderley, it features performances by Nat Adderley, Yusef Lateef, Joe Zawinul, Sam Jones and Louis Hayes. [4] It was recorded at the Jazz Workshop in San Francisco on September 22 & 23, 1962
Mercy, Mercy, Mercy! Live at "The Club" is a 1967 live in-studio album by The Cannonball Adderley Quintet, the jazz group formed by musician Cannonball Adderley. [2] It received the Grammy Award for Best Instrumental Jazz Performance – Group or Soloist with Group in 1967, [3] and was added to the Grammy Hall of Fame in 2021.
Aside from cannonball jellies, sea nettles can be found off the island’s coast and in the surf. These jellies are responsible for the most stings on Hilton Head Island, with the most recorded ...
Nat and Cannonball Adderley at the Concertgebouw, Amsterdam, 1961. During the 1960s, Adderley acted as cornetist, composer, and manager for the quintet. [3] While he kept the band in order, he also composed some of the group's most successful songs. His most successful song was "Work Song" (January 1960), a hard bop tune.