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"Bella figlia dell'amore" ("Beautiful daughter of love") is a vocal quartet from the last act of Giuseppe Verdi's 1851 opera Rigoletto.. It has been described as a "masterful quartet that is an intricate musical depiction of four personalities and their overlapping agendas", [1] and has been performed and recorded by many notable artists.
Rigoletto is an opera in three acts [a] by Giuseppe Verdi.The Italian libretto was written by Francesco Maria Piave based on the 1832 play Le roi s'amuse by Victor Hugo.Despite serious initial problems with the Austrian censors who had control over northern Italian theatres at the time, the opera had a triumphant premiere at La Fenice in Venice on 11 March 1851.
"Caro nome che il mio cor" (Sweet name that made my heart), or "Caro nome" for short, is an aria for coloratura soprano from act 1 of Verdi's opera Rigoletto. It is part of the standard Italian soprano vocal repertoire, [ 1 ] featured in numerous anthologies for soprano singers and in albums of highlights from the opera.
The lyrics are based on a phrase by King Francis I of France, Souvent femme varie, bien fol qui s'y fie. [Women are fickle, and who trusts them is a fool.], that he, deceived by one of his numerous mistresses, reputedly engraved on a window pane. Victor Hugo used this phrase verbatim in his play, Le roi s'amuse, on which Rigoletto is based. [3]
Quartet is a 2012 British comedy-drama film based on the play Quartet by Ronald Harwood that ran in London's West End from September 1999 until January 2000. [2] It was filmed in late 2011 at Hedsor House, Buckinghamshire. The film was actor Dustin Hoffman's directorial debut.
This is a list of recordings of Rigoletto, an 1851 opera by Giuseppe Verdi with an Italian libretto by Francesco Maria Piave based on the 1832 play Le roi s'amuse by Victor Hugo. It was first performed at La Fenice in Venice on 11 March 1851.
Manrico Di quella pira l'orrendo foco Tutte le fibre m'arse, avvampò!... Empi, spegnetela, o ch'io fra poco Col sangue vostro la spegnerò... Era già figlio prima d'amarti,
Some scholars have thought that the chorus was intended to be an anthem for Italian patriots, who were seeking to unify their country and free it from foreign control in the years up to 1861 (the chorus's theme of exiles singing about their homeland, and its lines like O mia patria, si bella e perduta / "O my country, so beautiful, and lost" was thought to have resonated with many Italians). [3]