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This is a list of works by Frederic Edwin Church (1826–1900), an American landscape painter who was part of the Hudson River School. Church's paintings were inspired by his travels, including Africa, Europe, the Middle East, South America, and North America. [1] Sketches are excluded—Church made thousands—unless they are in oil and very ...
Frederic Edwin Church (May 4, 1826 – April 7, 1900) was an American landscape painter born in Hartford, Connecticut.He was a central figure in the Hudson River School of American landscape painters, best known for painting large landscapes, often depicting mountains, waterfalls, and sunsets.
This Cizhou vase featured at the Indianapolis Museum of Art serves as an example of a glaze and slip etching technique, while Cizhou-wares created in later periods often featured brush paintings placed directly on the slip with a protective glaze overcoat. [4] Overall, Cizhou wares have one of the longest histories of all the ceramic styles.
The fresco was at one time located in Santa Maria di Momentana, (formerly Santa Maria in Silvis), an old country church in the hill town of Monterchi. That building was destroyed in 1785 by an earthquake and this work was detached from the walls and placed over the high altar of a new cemetery chapel; in 1992 it was moved to the Museo della ...
Black Woman with Peonies by Frédéric Bazille (1870) located at the National Gallery of Art, Washington, D.C.. Black Woman with Peonies also known as Négresse aux pivoines, Young Woman with Peonies, or Negress with Peonies, is a pair of paintings created by the French Impressionist painter Frédéric Bazille in the spring of 1870.
Gothic frescos in Elmelunde Church Sealand-type Romanesque Christ in Majesty at Alsted.. Church frescos or church wall paintings (Danish: kalkmalerier) are to be found in some 600 churches across Denmark, no doubt representing the highest concentration of surviving church murals anywhere in the world. [1]
The Old Church Tower is the final remains of a 12th-century Romanesque church built during Christianity's spread across the countryside. It is surrounded by an old burial ground whose graves were marked with simple wooden crosses. The spire was demolished before Van Gogh's early watercolors of the tower could be developed into oil paintings.
The painting became popular within Church's oeuvre and inspired other landscape artists' interest in the Arctic, but its apparent lack of narrative or allegory perplexed some viewers. Between exhibitions in the US and England, Church added the ship mast to the painting, and retitled the work from its original The North. He eventually sold the ...