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The movie went vastly over its $2 million budget, which was blamed on Brando's perfectionism as a director. Scheduled for a three-month shoot, principal photography on One Eyed Jacks took six months at a cost $6 million, while Brando shot 1 million feet (304,800 meters) of film. [11] Shooting began in 1958, but the film was not released until 1961.
Other films Gilman appeared in included Sometimes a Great Notion, PT 109, The Shadow on the Window, Away All Boats, The Missouri Breaks, One-Eyed Jacks (his first western film credit), [4] Wild Rovers, The Last Hard Men, Full of Life and Macon County Line. [3] Gilman in Medic, 1954
One-Eyed Jacks: Marlon Brando: Marlon Brando, Karl Malden, Katy Jurado: Western: Paramount; only film directed by Brando One Hundred and One Dalmatians: Clyde Geronimi, Hamilton Luske, Wolfgang Reitherman: Ben Wright, Betty Lou Gerson, Rod Taylor (voices) Animated: Disney; live-action remake in 1996: One, Two, Three: Billy Wilder
Just as she emerged as one of the brightest lights of Latin American cinema, actor Pina Pellicer died by her own hand 60 years ago. Only 30, she had in a short time co-starred opposite Marlon ...
Josefina Yolanda "Pina" Pellicer López de Llergo (3 April 1934 – 4 December 1964) was a Mexican actress known in her country for portraying the female lead in Macario (1960), and in the United States as Louisa alongside Marlon Brando in the Brando-directed movie One-Eyed Jacks (1961).
Guy Walter Trosper (March 27, 1911 – December 19, 1963) was an American screenwriter. He was best known for his work in the films The Stratton Story (1949), Devil's Doorway (1950), The Pride of St. Louis (1952), Jailhouse Rock (1957), One-Eyed Jacks (1961), Birdman of Alcatraz (1962), and The Spy Who Came In from the Cold (1965).
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Other notable film credits include Crime Wave (1954), East of Eden (1955), One-Eyed Jacks (1961), Beach Blanket Bingo (1965), Head (1968) and The Outfit (1973). Carey was also a writer and director, with the low budget independent film The World's Greatest Sinner (1962) being his most noteworthy project.