Search results
Results From The WOW.Com Content Network
Reading Stele Nest Stone by Li Cheng (919–967). The northern landscape style (Chinese: 北宗画; pinyin: běi zōng huà) was a manner of Chinese landscape painting centered on a loose group of artists who worked and lived in Northern China during the Five Dynasties period that occupied the time between the collapse of the Tang dynasty and the rise of the Song.
Another painting that can be attributed to him is The Coming of Autumn. Both paintings capture the seasonal atmosphere and are regarded as important accomplishments of the Song Dynasty. [3] Guo Xi was often referred to as a "Northern Song master" when it came to painting. His work inspired many later artists and he even had landscapes dedicated ...
Travelers among Mountains and Streams, a large hanging scroll, is Fan Kuan's best known work, possibly his only surviving one, [4] and a seminal painting of the Northern Song school. It establishes an ideal in monumental landscape painting to which later painters were to return time and again for inspiration. [ 5 ]
Northern Song landscape painting differs from Southern Song painting because of its paradigm shift in representation. If Southern Song period landscape painting is said to be looking inward, Northern Song painting is reaching outward. During the Northern Song period, the rulers' goal is to consolidate and extend the elites value across the society.
Old Trees, Level Distance (Traditional Chinese: 樹色平遠圖; Pinyin: Shù sè píng yuǎn tú) is a Song dynasty handscroll on silk painting by Guo Xi.Completed in 1080, it is also a considered a prominent example of the "Northern Song" style of Chinese landscapes to which this piece has often been studied alongside that of Early Spring, current housed in the National Palace Museum.
Later this style would come to be known as the Northern Landscape style; it strongly influenced the tradition of Northern Song painters. As a theorist, he is the person most responsible for codifying the theories underlying the work of later painters, and his treatises on painting and aesthetics continued to serve as textbooks for Northern Song ...
Shan shui painting is a kind of painting which goes against the common definition of what a painting is. Shan shui painting refutes color, light and shadow and personal brush work. Shan shui painting is not an open window for the viewer's eye, it is an object for the viewer's mind. Shan shui painting is more like a vehicle of philosophy. [6]
Duke Wen of Jin Recovering His State attributed to Li Tang (1140). Li was among the most influential of the early Southern Song landscape artists and had many followers. He represented a vital link between the Northern Song school (Guo Xi, Fan Kuan, Li Cheng, and others), and the later Southern Song painters, such as Xia Gui and Ma Yuan, both of whom studied Li's art.