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Korg Opsix - altered FM-synthesizer with 3-octave keyboard. Operators can do FM, Ring Mod, Filter FM, as well as act as either a filter or wavefolder; Korg ARP 2600FS - semi-modular synthesizer, a reproduction of their ARP 2600 synthesizer from the 70s. Korg RK-100S v2 - update to the new version from 2014 of the popular keytar from the 80s.
The Korg Triton is a music workstation synthesizer, featuring digital sampling and sequencing, released in 1999. [1] [2] [3] It uses Korg's "HI (Hyper Integrated) Synthesis" system and was eventually available in several model variants with numerous upgrade options.
The Korg 01/W series are workstation synthesizers, the first of which debuted in 1991, and were intended to replace the M1 and T series. The workstation/ROMpler was based on AI² (Advanced Integrated Squared), an improved version of the AI (Advanced Integrated) Synthesis technology found in the M1 (although the advancements of the core synthesis engine were arguably quite minor, except for the ...
The Korg CX-3 (single manual) and BX-3 (dual manual) were the first lightweight organs to produce a comparable sound to the original Hammond B-3. Sound on Sound 's Gordon Reid said that the CX-3 "came close to emulating the true depth and passion of a vintage Hammond," particularly when connected to a Leslie speaker.
Known as an "Interactive Music Workstation", the i3 broke new ground for Korg, and defined a new type of instrument - the professional auto-accompaniment workstation. Contrary to popular belief, it was not Korg's first foray into the realm of auto-accompaniment - it had a minor hit in 1985 with the SAS-20, a home keyboard with built-in speakers.
The Korg Trident is a polyphonic multi-section synthesizer released by Korg in 1980, combining three distinct synthesizers within a single instrument: a polyphonic section with two VCOs, alongside dedicated String and Brass sections. [1] The polyphonic synthesizer section allows for eight-note polyphony with dual oscillators.
The Korg Z1 is a digital synthesizer released by Korg in 1997. The Z1 built upon the foundation set by the monophonic Prophecy released two years prior by offering 12-note polyphony and featuring expanded oscillator options, a polyphonic arpeggiator and an XY touchpad for enhanced performance interaction.
The Korg Monologue was the last Korg synthesizer that Tatsuya Takahashi worked on directly. He later went on to be an advisor for Korg and currently holds a full-time position at Yadastar GmbH. According to Richard D. James , the Korg Monologue is as of 2017 the only synthesizer on the market to have full microtuning editing. In his interview ...