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Kintsugi (Japanese: 金継ぎ, lit. 'golden joinery'), also known as kintsukuroi (金繕い, "golden repair"), [1] is the Japanese art of repairing broken pottery by mending the areas of breakage with urushi lacquer dusted or mixed with powdered gold, silver, or platinum. The method is similar to the maki-e technique.
Ko-Kiyomizu (old Kiyomizu) lidded brazier (te-aburi) with paulownia and geometric design, stoneware with overglaze enamels and gold, Edo period, 18th century. Kiyomizu ware (清水焼, Kiyomizu-yaki) is a type of Kyō ware traditionally from Gojōzaka district near Kiyomizu Temple, in Kyoto. The history of Kiyomizu ware dates back to the ...
The list of Japanese ceramics sites (日本の陶磁器産地一覧, Nihon no tōjiki sanchi ichiran) consists of historical and existing pottery kilns in Japan and the Japanese pottery and porcelain ware they primarily produced. The list contains kilns of the post-Heian period.
The 15th lord, Ii Naosuke, was an enthusiastic and accomplished practitioner of the Japanese tea ceremony in the Sekishūryū style. His writings include at least two works on the tea ceremony. He invited potters and painters from all over Japan to come and further develop Kotō ware. Painters such as Kosai and Meiho improved the art form.
This list of Living National Treasures of Japan (crafts) contains all the individuals and groups certified as Living National Treasures by the Ministry of Education, Culture, Sports, Science and Technology of the government of Japan in the category of the Japanese crafts (工芸技術, Kōgei Gijutsu).
The Japanese definition for the period of prehistory characterized by the use of pottery is Jōmon (縄文, lit. cord-patterned) and refers to the entire period (c. 10,500 to 300 BC). [18] Pottery techniques reached their apogee during the Middle Jōmon period with the emergence of fire-flame pottery created by sculpting and carving coils of ...
Yūri-kinsai (釉裏金彩) is a gold leaf-application technique used in Japanese pottery and porcelain. It forms a transparent overglaze on gilded porcelain. [1] Yūri-kinsai is a complicated under look technique. It uses two kinds of gold leaf that consists of one thick and one thin layer.
They were used as Japanese tea utensils under master Sen no Rikkyu and others. [5] Old Iga ware, which is known as Ko-Iga , generally reflects wabi-sabi aesthetics with a rustic appearance and purposefully deformed shapes, given extra character by the addition of "ear" lugs ( katamimi ) and intentional gouges and dents ( herame ).