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As with other choral pieces the composer, Vivaldi, wrote many introduzioni (introductory motets) that were to be performed before the Gloria itself. Four introduzioni exist for these Glorias: Cur Sagittas (RV 637), Jubilate, o amoeni cori (RV 639) (the last movement of which is compositionally tied with the first movement of RV 588), Longe Mala, Umbrae, Terrores (RV 640), and Ostro Picta (RV 642).
In their early releases, Los Destellos popularized the sharp sound of the electric guitar and bass in the context of a cumbia ensemble. By replacing the horns and accordion with the strings, they played a key role in developing the genre that later became known as Peruvian cumbia, [1] influencing bands such as Los Mirlos, Los Ecos, and Los Diablos Rojos. [2]
¡O, gloria inmarcesible! ¡O, júbilo inmortal! En surcos de dolores, 𝄆 el bien germina ya. 𝄇 ¡O, gloria inmarcesible! ¡O, júbilo inmortal! En surcos de dolores, el bien germina ya. I Cesó la horrible noche. La libertad sublime derrama las auroras de su invencible luz. La humanidad entera, que entre cadenas gime, comprende las palabras
The use of these additional phrases in honour of the Blessed Virgin Mary was so common that in editions of the Roman Missal earlier than the 1921 revision, the text of the Gloria was followed by the rubric: "Sic dicitur Gloria in excelsis Deo, etiam in Missis beatæ Mariæ, quando dicenda est" (When the Gloria in excelsis Deo is to be recited ...
Griselda is a dramma per musica in three acts that was composed by Giovanni Bononcini.The opera uses a revised version of the 1701 Italian libretto by Apostolo Zeno that was based on Giovanni Boccaccio's The Decameron (X, 10, "The Patient Griselda"). [1]