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Although the rules seem simple, it is hard to use classical hexameter in English because English is a stress-timed language that condenses vowels and consonants between stressed syllables, while hexameter relies on the regular timing of the phonetic sounds. Languages having the latter properties (i.e., languages that are not stress-timed ...
The Latin rhythmic hexameter [1] or accentual hexameter [2] is a kind of Latin dactylic hexameter which arose in the Middle Ages alongside the metrical kind. The rhythmic hexameter did not scan correctly according to the rules of classical prosody; instead it imitated the approximate sound of a typical metrical hexameter by having roughly the same number of syllables and putting word accents ...
Mostly these consist of either a dactylic hexameter or an iambic trimeter, followed by an "epode", which is a shorter line either iambic or dactylic in character, or a mixture of these. The first or second line can also end with an ithyphallic colon (– ᴗ – ᴗ – x). [9] For examples of such epodic strophes see: Archilochian; Alcmanian
A dactylic tetrameter catalectic is sometimes joined to the dactylic hexameter to form a couplet termed the Alcmanian Strophe, named after the lyric poet Alcman (some scholars however refer to the Alcmanian Strophe as the First Archilochian, as indeed there is a strong likeness between the two forms).
The hexameter follows the usual rhetorical trends of the dactylic hexameter in this age. If anything, the elegists are even more interested in verbal effects like alliteration and assonance. Overall there is a tendency to make the elegiac couplet increasingly dactylic.
Various rules of elision sometimes prevent a grammatical syllable from making a full syllable, and certain other lengthening and shortening rules (such as correption) can create long or short syllables in contexts where one would expect the opposite. The most important Classical metre is the dactylic hexameter, the metre of Homer and Virgil ...
Although the rules seem simple, it is hard to use classical hexameter in English, because English is a stress-timed language that condenses vowels and consonants between stressed syllables, while hexameter relies on the regular timing of the phonetic sounds. Languages having the latter properties (i.e., languages that are not stress-timed ...
The golden line is a type of Latin dactylic hexameter frequently mentioned in Latin classrooms and in contemporary scholarship about Latin poetry, but which apparently began as a verse-composition exercise in schools in early modern Britain. [1]