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Viola Spolin (November 7, 1906 — November 22, 1994) was an American theatre academic, educator and acting coach. She is considered an important innovator in 20th century American theater for creating directorial techniques to help actors to be focused in the present moment and to find choices improvisationally, as if in real life. [1]
The Groundlings is a popular and influential improv theatre and training center in Los Angeles, California. The late Gary Austin, founder of The Groundlings, taught improvisation around the country, focusing especially in Los Angeles. He was widely acclaimed as one of the greatest acting teachers in America.
Johnstone was known for slogans that encapsulated his philosophy of improvisation, and included: [2] "You can't learn anything without failing" "Please don't do your best. Trying to do your best is trying to be better than you are" [8] "Go onto stage to make relationships. At least you won't be alone." "It's not the offer, but what you do with it."
Romanticism (also known as the Romantic movement or Romantic era) was an artistic and intellectual movement that originated in Europe towards the end of the 18th century. The purpose of the movement was to advocate for the importance of subjectivity , imagination , and appreciation of nature in society and culture in response to the Age of ...
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Improvisational theatre companies, also known as improv troupes or improv groups, are the primary practitioners of improvisational theater. Modern companies exist around the world and at a range of skill levels. Most groups make little or no money, while a few, well-established groups are profitable.
The dialect theatre quietly bypassed the 18th century and continued in the staging of its comedies. Among the most important authors of this popular genre were Luigi Del Buono, who in Florence also continued in the 19th century to stage the character of Stenterello. Another 19th century author of dialect theatre was Pulcinella by Antonio Petito ...
Classical acting is a traditional type of acting which is centered around the external behavior of the performer. Classical acting differs from newer styles of acting, as it is developed around the ideas of the actor themselves which includes their expression of the body, voice, imagination, personalizing, improvisation, external stimuli, and script analysis.