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One block was used for each colour of the final fabric, The block was inked by placing into a vat of colorant, and then carefully placed onto the fabric on the table in front of the craftsman. He pounded it with a mallet to impress the colour, then he lifted the block carefully, moved the fabric, re-inked the block, and printed the next section ...
Replacements, Ltd., based in Greensboro, North Carolina, is the world's largest retailer of china, crystal and silverware, including both patterns still available from manufactures and discontinued patterns. The company, which began in 1981, had an inventory in 2011 of 14 million items from more than 340,000 patterns, with annual sales of $80 ...
Waverly, a famed design house for textiles and wall coverings between 1923 and 2007, called their version of this fabric rhino cloth, possibly for the rough, nubbly surface. [11] American barkcloth shot through with gold Lurex threads was called Las Vegas cloth , and contained as much as 65% rayon as well, making it a softer, more flowing ...
Twentieth-Century Pattern Design, Princeton Architectural Press, New York, 2002. ISBN 1-56898-333-6; Jackson, Lesley. Shirley Craven and Hull Traders: Revolutionary Fabrics and Furniture 1957-1980, ACC Editions, 2009, ISBN 1-85149-608-4; Jenkins, David, ed. The Cambridge History of Cambridge, UK: Cambridge University Press, 2003, ISBN 0-521-34107-8
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In properly printed fabrics the colour is bonded with the fibre, so as to resist washing and friction. Textile printing is related to dyeing but in dyeing properly the whole fabric is uniformly covered with one colour, whereas in printing one or more colours are applied to it in certain parts only, and in sharply defined patterns. [1]