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Carol Chillington Rutter, author of Enter the Body: Women and Representation on Shakespeare's Stage (2001), focuses for instance on the body of Cordelia, as her father, King Lear, carries her on to the stage; on the body of Ophelia in the grave; and on the bodies of the two women on the bed at the end of Othello, "a play that destroys women." [5]
A print of Lady Macbeth from Mrs. Anna Jameson's 1832 analysis of Shakespeare's heroines, Characteristics of Women. Jenijoy La Belle takes a slightly different view in her article, "A Strange Infirmity: Lady Macbeth’s Amenorrhea". La Belle states that Lady Macbeth does not wish for just a move away from femininity; she is asking the spirits ...
In Shakespeare's play, Portia is a wealthy heiress in Belmont. She is bound by a lottery outlined in her father's will, which allows potential suitors to choose one of three caskets made of gold, silver, and lead, respectively. If they choose the correct casket containing Portia's portrait and a scroll, they win her hand in marriage.
– Anastasia, Herdon, Virginia, 15 The role of Desdemona, the devoted, loving wife murdered by her husband in “Othello,” wasn’t performed by a woman until 1660 – about six decades after ...
Rosalind is the heroine and protagonist of the play As You Like It (1600) by William Shakespeare.In the play, she disguises herself as a male shepherd named Ganymede. Many actors have portrayed Rosalind, including Sarah Wayne Callies, Maggie Smith, Elisabeth Bergner, Vanessa Redgrave, Helena Bonham Carter, Helen Mirren, Patti LuPone, Helen McCrory, Bryce Dallas Howard, Adrian Lester and ...
Beatrice is a fictional character in William Shakespeare's play Much Ado About Nothing.In the play, she is the niece of Leonato and the cousin of Hero.Atypically for romantic heroines of the sixteenth century, she is feisty and sharp-witted; these characteristics have led some scholars to label Beatrice a protofeminist character.
Roman Shakespeare is broken down into six chapters. The first chapter provides an overview of Kahn's claims of the construction of Roman male identity, especially as it appeared on the English stage, and the subsequent chapters each focus on a different Shakespearean Roman text to explicate the gendered discourses within.
Jessica is the daughter of Shylock, a Jewish moneylender, in William Shakespeare's The Merchant of Venice (c. 1598).In the play, she elopes with Lorenzo, a penniless Christian, and a chest of her father's money, eventually ending up in Portia and Bassanio's household.