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Sampling is one of the foundations of hip hop, which emerged in the 1980s. [34] Hip hop sampling has been likened to the origins of blues and rock, which were created by repurposing existing music. [24] The Guardian journalist David McNamee wrote that "two record decks and your dad's old funk collection was once the working-class black answer ...
Sampledelia (also called sampledelica) [1] is sample-based music that uses samplers or similar technology to expand upon the recording methods of 1960s psychedelia. [2] Sampledelia features "disorienting, perception-warping" manipulations of audio samples or found sounds via techniques such as chopping, looping or stretching.
In A Guide to Research in Music Education, Phelps, Ferrara and Goolsby define research as the identification and isolation of a problem into a workable plan; the implementation of that plan to collect the data needed; and the synthesis, interpretation and presentation of the collected information into some format which readily can be made available to others.
Music plagiarism is the use or close imitation of another author's music while representing it as one's own original work. Plagiarism in music now occurs in two contexts—with a musical idea (that is, a melody or motif ) or sampling (taking a portion of one sound recording and reusing it in a different song).
In popular music, interpolation (also called a replayed sample) refers to using a melody — or portions of a melody (often with modified lyrics) — from a previously recorded song but re-recording the melody instead of directly sampling it.
Plunderphonics is a music genre in which tracks are constructed by sampling recognizable musical works. The term was coined by composer John Oswald in 1985 in his essay "Plunderphonics, or Audio Piracy as a Compositional Prerogative", [ 1 ] and eventually explicitly defined in the liner notes of his Grayfolded album.
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Both types of courseoach on a narrower subject while introducing more of the tools of research in music history. The range of possible topics is virtually limitless. Some examples might be "Music during World War I," "Medieval and Renaissance instrumental music," "Music and politics," "Mozart's Don Giovanni, or Women and music."