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Nokukwane- This bow was obtained by the Korana people and the Tswana people are the only Bantu people who use it. The bow is simple however, its arc is more pronounced that the other bows. [5] Other musical instruments: The Tswana drum (moropa), antelope horn (lepapata), and leg rattles (mathlo) are most often used during group dancing.
A two-headed drum like dhah or dhimay, about 14" long x 7" diameter, used in rituals, known as 'Seeh Bajan' (funeral drum), to proclaim news in ancient times ("In the Malla period"). "Mainly played by the Khadgis." [6] [21] [28] Kadgis: Possible Naya-Khin drums and chhusya cymbals at performance of Gunla Bajan religious music at Kathmandu ...
Tswana folk music has instruments such as Setinkane (a Botswana version of miniature piano), Segankure/Segaba (a Botswana version of the Chinese instrument Erhu), Moropa (Meropa -plural) (a Botswana version of the many varieties of drums), and phala (a Botswana version of a whistle used mostly during celebrations, which comes in a variety of ...
Snare drum stands have three arms as a "basket" to cradle the lower rim of the drum. There are several patterns. The older, traditional pattern has two arms that pivot, and one that slides to accommodate varying sizes of drum. This is satisfactory for a tilted drum; The drum is tilted away from the sliding arm and rests on the two pivoting arms.
Gungon – Bass snare drum of the Lunsi ensemble. Of northern origin, it is played throughout Ghana by various groups, known by southern groups as brekete. Related to the Dunun drums of other West African peoples. Gyil – large resonant Xylophones, related to the Balafon. Mbira – small pentatonic thumb piano. Koloko – Varieties of Sahelian ...
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Download QR code; Print/export Download as PDF; Printable version; In other projects ... Pages in category "South African Tswana people" The following 36 pages are in ...
One drummer plays the "call" rhythm on the Shauro drum, while the other responds with the "response" rhythm on the Tsinhiro drum. Within traditional Shona indigenous belief systems, music in ceremonial settings is thought to create an environment that facilitates trance ( vanonyaunyawa ), allowing individuals to be possessed by ancestral ...