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The Beatitudes (/ b i ˈ æ t ɪ tj u d z /) are blessings recounted by Jesus in Matthew 5:3–10 within the Sermon on the Mount in the Gospel of Matthew, and four in the Sermon on the Plain in the Gospel of Luke, followed by four woes which mirror the blessings.
The Beatitudes: SATB and Organ with optional Congregation (Matthew 5:3-12 or the parallel passage, Luke 6:20-26) Marilyn Biery's insightful paraphrase of the Beatitudes combines with James Biery's flowing musical lines to make a hymn-anthem. This piece is suitable for general use and particularly appropriate when the Beatitudes are read.
Songwriter Ian Anderson described the song as "a blues for Jesus, about the gory, glory seekers who use his name as an excuse for a lot of unsavoury things. You know, 'Hey Dad, it's not my fault — the missionaries lied.'" [3] Sean Murphy of PopMatters wrote that, "For “Hymn 43” Anderson sets his sights on the US and in quick order sets about decimating the hypocrisy and myth-making of ...
Text of Matthew 5:3 in the Beatitudes at Our Lady of Peace Shrine, along I-80 in Pine Bluffs, Wyoming (2016). Blessed are the poor in spirit, for theirs is the Kingdom of Heaven. [1] Μακάριοι οἱ πτωχοὶ τῷ πνεύματι, ὅτι αὐτῶν ἐστιν ἡ βασιλεία τῶν οὐρανῶν
Malotte composed a number of other religious pieces, including settings of the Beatitudes and of the Twenty-third Psalm which have also remained popular as solos. His secular songs, such as "Ferdinand the Bull" (from the Disney animated short of the same name), "For my mother" (a setting of a poem by 12-year-old Bobby Sutherland) and "I am ...
A hymnal or hymnary is a collection of hymns, usually in the form of a book, called a hymnbook (or hymn book). They are used in congregational singing . A hymnal may contain only hymn texts (normal for most hymnals for most centuries of Christian history); written melodies are extra, and more recently harmony parts have also been provided.
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Les Béatitudes, (Op. 25), CFF 185, FWV 53, [1] is a French oratorio written by César Franck from 1869 to 1879 and scored for orchestra, chorus, and soloists. The text is a poetic meditation on the eight beatitudes of Jesus, from the Gospel of Matthew, by Joséphine-Blanche Colomb.