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Finale of an American performance of Aesop's Fables. A different strategy is to adapt the telling to popular musical genres. Australian musician David P Shortland chose ten fables for his recording Aesop Go HipHop (2012), where the stories are given a hip hop narration and the moral is underlined in a lyrical chorus. [143]
Aesop and the Ferryman; The Ant and the Grasshopper; The Ape and the Fox; The Ass and his Masters; The Ass and the Pig; The Ass Carrying an Image; The Ass in the Lion's Skin; The Astrologer who Fell into a Well; The Bald Man and the Fly; The Bear and the Travelers; The Beaver; The Belly and the Other Members; The Bird-catcher and the Blackbird ...
Aesop may not have written his fables. The Aesop Romance claims that he wrote them down and deposited them in the library of Croesus; Herodotus calls Aesop a "writer of fables" and Aristophanes speaks of "reading" Aesop, [16] but that might simply have been a compilation of fables ascribed to him. [17]
The second also accompanies an illustrated edition, in this case the work of Walter Crane in Baby's Own Aesop (1887). Each fable has been reduced to a limerick by W. J. Linton and is enclosed within the design. "The Fox and the Grapes" has been given the moral 'The grapes of disappointment are always sour' and runs as follows:
An English version by Peter Westmore was set for children's voices and piano by Edward Hughes as the second of his ten Songs from Aesop's Fables (1965) and Greg Smith included it in his "Aesop's Fables" for four-part chorus of mixed voices and piano accompaniment (New York/London 1979).
Most of these followed the fable's original Greek source in giving it the moral that acquaintance overcomes fear. When it appeared in emblem books, however, it was as an illustration of how difficult things become easy with practice, but after its appearance in Samuel Croxall's The Fables of Aesop in 1722, the story was given a social ...
A different solution was chosen by Pieter Bruegel the Elder in his depiction of Netherlandish Proverbs (1559). The saying 'The fox and the crane entertain each other' had come to mean that tricksters look out for their own advantage, so the two are pictured at the centre of the painting seated before their preferred receptacle.
The Fox and the Cat is an ancient fable, with both Eastern and Western analogues involving different animals, that addresses the difference between resourceful expediency and a master stratagem. Included in collections of Aesop's fables since the start of printing in Europe, it is number 605 in the Perry Index. In the basic story a cat and a ...