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"Bésame Mucho" (Spanish: [ˈbesame ˈmutʃo]; "Kiss Me A Lot") is a bolero song written in 1932 by Mexican songwriter Consuelo Velázquez. [2] It is one of the most popular songs of the 20th century and one of the most important songs in the history of Latin music. It was recognized in 1999 as the most recorded and covered song in Spanish of ...
Tablature (or tab for short) is a form of musical notation indicating instrument fingering or the location of the played notes rather than musical pitches. Tablature is common for fretted stringed instruments such as the guitar , lute or vihuela , as well as many free reed aerophones such as the harmonica .
Her best-known piece is the iconic song "Bésame mucho", which she composed in the Cuban music genre bolero when she was only 16 years old. This piece gained Velázquez the most recognition and brought the most pleasure to her, and was created before Consuelo received her first kiss from someone she loves. [ 9 ]
Besame Mucho is a live album by saxophonist Art Pepper recorded in Japan in 1979 at the same concerts that produced Landscape and originally released on the Japanese JVC label in 1981 before being rereleased on the Galaxy label. [1] [2]
Bésame mucho, el musical is a jukebox musical with a book written by Consuelo Garrido, Lorena Maza, and Victor Weinstock. The music, arranged by José María Vitier , features Bolero hit songs from the 1920s to the 1980s.
Bésame mucho, a 1945 Mexican film with Blanquita Amaro; Besame Mucho, a Brazilian film; Bésame mucho, a Colombian film; Besame mucho, a 1999 Italian comedy film directed by Maurizio Ponzi
Rhythm & Romance is the fifteenth studio album (and 1st album under Concord Records) by Kenny G.The first of two bossa nova albums by the artist, the album peaked at number 15 on the R&B/Hip-Hop Albums chart, and number 14 on the Billboard 200.
Bassist Buster Williams performs a solo bass transcription of the second movement of Concierto de Aranjuez on his album Griot Liberté (2006). The jazz pianist Chick Corea used the beginning of the second movement as an introduction to his composition "Spain". Al Jarreau used the same intro in his arrangement of "Spain" as a vocalese.