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Tosca is an opera in three acts by Giacomo Puccini to an Italian libretto by Luigi Illica and Giuseppe Giacosa.It premiered at the Teatro Costanzi in Rome on 14 January 1900. . The work, based on Victorien Sardou's 1887 French-language dramatic play, La Tosca, is a melodramatic piece set in Rome in June 1800, with the Kingdom of Naples's control of Rome threatened by Napoleon's invasion of It
Vissi d'arte" is a soprano aria from act 2 of the opera Tosca by Giacomo Puccini. It is sung by Floria Tosca as she thinks of her fate, how the life of her beloved, Mario Cavaradossi, is at the mercy of Baron Scarpia and why God has seemingly abandoned her. The vocal range is E ♭ 4 to B ♭ 5. [1]
La Tosca had its US premiere within four months of its Paris opening, performed in English translation with Fanny Davenport in the title role and her husband, Willet Melbourne MacDowell, as Cavaradossi. The "Davenport Tosca" opened in New York City on 3 March 1888 and inaugurated the luxurious new Broadway Theatre on 41st Street. [25]
Sherrill Milnes (born January 10, 1935) is an American dramatic baritone most famous for his Verdi roles. From 1965 until 1997 he was associated with the Metropolitan Opera. ...
Tosca is a 2001 musical drama film written and directed by Benoît Jacquot, closely based on the 1900 opera Tosca with music by Giacomo Puccini and an Italian libretto by Luigi Illica and Giuseppe Giacosa, based in turn on the 1887 play by Victorien Sardou.
Tito Gobbi as Scarpia in Puccini's Tosca, 1954. According to Gobbi, he sang the part of Scarpia in Puccini's Tosca "nearly a thousand times". [5] One significant production was the "event of worldwide interest" (as Gobbi himself describes it), [6] Franco Zeffirelli's production of Tosca at the Royal Opera House, Covent Garden in London in ...
Anthony Tommasini praised his performance in The New York Times: [8] "The Georgian baritone George Gagnidze was an exceptionally menacing Scarpia, singing with robust, earthy power and seductive lyricism when the villain turns on the charm". Gagnidze made his Metropolitan Opera debut in 2009 in the title role of Giuseppe Verdi's Rigoletto. [9]
When Herbert von Karajan was making his own recording of Tosca in 1962, he would often ask his producer John Culshaw to play selections from the de Sabata/Callas recording to him. Culshaw reports that "One exceptionally tricky passage for the conductor is the entry of Tosca in act 3, where Puccini's tempo directions can best be described as ...