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Engaged columns embedded in a side wall of the cella of the Maison Carrée, Nîmes, France, unknown architect, 2nd century. An engaged column is an architectural element in which a column is embedded in a wall and partly projecting from the surface of the wall, which may or may not carry a partial structural load.
In architecture, an engaged column is a column embedded in a wall and partly projecting from the surface of the wall, sometimes defined as semi or three-quarter detached. Engaged columns are rarely found in classical Greek architecture, and then only in exceptional cases, but in Roman architecture they exist in abundance, most commonly embedded ...
A temple similar to a dipteral temple, in which the columns surrounding the naos have had walls built between them, so that they become engaged columns, as in the great temple at Agrigentum. In Roman temples, in order to increase the size of the celia, the columns on either side and at the rear became engaged columns, the portico only having ...
The concatenation usually articulates the wall by superimposing elements of the architectural order, such as pilasters or engaged columns, inside which a round arch or a series of arches open. [2] Two hierarchical orders are usually superimposed: the minor order supports the arch, which, in turn, is framed under the entablature of the major order.
As an ornament it consists of a flat surface raised from the main wall surface, usually treated as though it were a column, with a capital at the top, plinth (base) at the bottom, and the various other column elements. In contrast to a Classical pilaster, an engaged column or buttress can support the structure of a wall and roof above.
It is a hexastyle design with six Corinthian columns under the pediment at either end, [10] and pseudoperipteral in that twenty engaged columns are embedded along the walls of the cella. Above the columns, the architrave is divided into three levels with ratios of 1:2:3. Egg-and-dart decoration divides the architrave from the frieze.
The large columns at Persepolis have as many as 40 or 48 flutes, with smaller columns elsewhere 32; the width of a flute is kept fairly constant, so the number of flutes increases with the girth of the column, in contrast to the Greek practice of keeping the number of flutes on a column constant and varying the width of the flute. [15]
The entablature together with the system of classical columns occurs rarely outside classical architecture. It is often used to complete the upper portion of a wall where columns are not present, and in the case of pilasters (flattened columns or projecting from a wall) or detached or engaged columns it is sometimes profiled around them. [2]