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Angel's Egg is the fourth studio album by the progressive rock band Gong, released on Virgin Records in December 1973. It was recorded using the Manor Mobile studio at Gong's communal home, Pavillon du Hay, Voisines, France, and mixed at The Manor, Oxfordshire, England. The album was produced by "Gong under the direction of Giorgio Gomelsky".
Camembert Electrique (French: Electric Camembert) is the second studio album by the progressive rock band Gong, recorded and originally released in 1971 on the French BYG Actuel label. The album was recorded at Château d'Hérouville near Paris , France , produced by Pierre Lattès and engineered by Gilles Salle.
It should only contain pages that are Gong (band) albums or lists of Gong (band) albums, as well as subcategories containing those things (themselves set categories). Topics about Gong (band) albums in general should be placed in relevant topic categories .
It was produced by Simon Heyworth and Gong "under the universal influence of C.O.I.T., the Compagnie d'Opera Invisible de Thibet", and also engineered by Heyworth. You is the third of the "Radio Gnome Invisible" trilogy of albums, following Flying Teapot and Angel's Egg. The trilogy forms a central part of the Gong mythology. The structure of ...
Angel's Egg is a Japanese original video animation by Mamoru Oshii and Yoshitaka Amano. Angel's Egg may also refer to: Angel's Egg, a 1973 album by Gong; The Angel's Egg, a 1993 novel by Yuka Murayama. The Angel's Egg, a 2006 Japanese film directed by Shin Togashi
Shapeshifter is the ninth studio album released under the name Gong and the sixth album by the Daevid Allen version of the group. It was released in 1992. It is the first proper album from Daevid Allen's Gong since You from 1974.
Ian East – saxophones and woodwinds; Fabio Golfetti – guitar and singing; Cheb Nettles – drums and singing; Dave Sturt – bass guitar and singing; Kavus Torabi – singing and guitar
Angel's Egg is not a "grail quest" narrative about obtaining something, I cannot even imagine how one could come up with such a statement. It was not obscure here in Japan and especially not obscure in 2004 when the article was written, the same year Oshii's Innocence was released and there was much talk about his films [ 1 ] , 3 years after ...